蓝绿色风景中的学者隐居 - 美国大都会艺术博物馆展品查阅

品名（中）	蓝绿色风景中的学者隐居
品名（英）	Scholar-recluse in blue-green landscape
入馆年号	1972年，1972.278.1
策展部门	亚洲艺术（Asian Art）
创作者	Chen Hongshou【1598 至 1652】【中国人】
创作年份	公元 1633
创作地区
分类	绘画（Paintings）
尺寸	图像: 92 3/4 x 30 5/8 英寸 (235.6 x 77.8 厘米) 整体 with mounting: 126 5/8 x 34 5/8 英寸 (321.6 x 87.9 厘米) 整体 with rollers: 126 5/8 x 37 5/8 英寸 (321.6 x 95.6 厘米)
介绍（中）	在十岁到二十岁之间，陈洪绶在杭州跟随专业艺术家蓝盈（1585–1664）学习绘画，他一定是通过模仿浙江当地传统的宋式和宋式绘画来训练蓝盈的。然而，在他成熟的岁月里，陈发挥了当代宋代仿制品的矫揉造作和形式扭曲，将这一破旧传统的堕落特征转化为一种新的古老主义的元素，并注入了高度个人化的讽刺忧郁感在这幅不朽的风景画中，陈在使用平面色彩、有图案的树叶以及大胆的树木和岩石轮廓时，暗示了古色古香的蓝色和绿色风格。然而，夸张的景观形式和风格化的雾堤突出了古老习俗的不真实性，强调了敏感的绅士和他的随从的孤立，他们的存在给场景带来了令人不安的心理边缘。
介绍（英）	Between the ages of ten and twenty, Chen Hongshou studied painting in Hangzhou with the professional artist Lan Ying (1585–1664), with whom he must have trained by copying Song and Song-style pictures in the local Zhejiang tradition. In his mature years, however, Chen played on the mannerisms and formal distortions of contemporary Song imitations, turning the debased features of this worn-out tradition into elements of a new archaism infused with a highly personal sense of ironic melancholy. In this monumental landscape Chen alludes to the antique blue-and-green style in his use of flat planes of color, patterned foliage, and boldly contoured trees and rocks. Yet the exaggerated landscape forms and stylized banks of mist accentuate the unreality of the archaic conventions, emphasizing the isolation of the sensitively drawn gentleman and his attendant, whose presence gives the scene a troubling psychological edge.