游牧民族长笛十八首歌：文姬夫人的故事 - 美国大都会艺术博物馆展品查阅

品名（中）	游牧民族长笛十八首歌：文姬夫人的故事
品名（英）	Eighteen Songs of a Nomad Flute: The Story of Lady Wenji
入馆年号	1973年，1973.120.3
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1400 - 公元 1433
创作地区
分类	绘画：裹尸布、绷带和其他（paintings: shrouds, bandages, and other）
尺寸	图像: 11 1/4 英寸 × 39 ft. 3 英寸 (28.6 × 1196.3 厘米) 整体 with mounting: 11 1/2 英寸 × 50 ft. 8 1/16 英寸 (29.2 × 1544.5 厘米)
介绍（中）	这里代表的是文姬夫人（蔡衍饰）的生活场景，她在公元195年左右被一群劫掠的野蛮人绑架，作为酋长的妻子，在蒙古部落匈奴度过了12年。她给他生了两个孩子，最后被赎回并返回中国。南宋高宗（1127–62年在位）可能下令将这个故事图文并茂，以提醒人们注意他的亲属被金朝俘虏在这幅卷轴中，游牧入侵者的服装是契丹人的服装，他们在中国东北建立了辽朝（907–1125）。对于早期的南宋观众来说，《十八首》以当代细节呈现了一部历史剧，它不仅仅代表了一段历史浪漫，而是一种真实而普遍的民族创伤。大都会歌剧院卷轴中第三首、第五首、第十三首和第十八首歌曲的插图——这是已知的五个版本中最古老的一个，说明了所有十八首歌曲——几乎完全是波士顿美术博物馆四张专辑叶子的复制品。波士顿的碎片似乎是十二世纪原始卷轴的全部剩余部分。这些歌曲的文本由刘尚（约773年）创作，刻有高宗的书法风格
介绍（英）	Represented here are scenes from the life of Lady Wenji (Cai Yan), who was abducted by a horde of marauding barbarians about A.D. 195 and spent twelve years among the Xiongnu, a Mongol tribe, as wife of their chieftain. She bore him two children before she was finally ransomed and returned to China. The Southern Song emperor Gaozong (r. 1127–62) probably ordered the story illustrated as a reminder of the capture of his kinfolk by the Jurched Jin. In this scroll, the costumes of the nomad invaders are those of the Khitan people, who established the Liao dynasty (907–1125) in northeastern China. To the early Southern Song viewer, Eighteen Songs, which presents a historical drama in contemporary details, did not represent a mere historical romance but a true, pervasive national trauma. The illustrations to the third, fifth, thirteenth, and eighteenth songs in the Metropolitan's scroll—the oldest of five known versions that illustrate all eighteen of the songs—are almost exact copies of four album leaves in the Museum of Fine Arts, Boston. The Boston fragments appear to be all that is left of the original twelfth-century scroll. The texts of the songs, composed by Liu Shang (act. ca. 773), are inscribed in the calligraphic style of Emperor Gaozong