玛戈特批评 - 美国大都会艺术博物馆展品查阅

品名（中）	玛戈特批评
品名（英）	Margot la Critique
入馆年号	1922年，22.15.5
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Félix Bracquemond【1833 至 1914】【法国人】
创作年份	公元 1854
创作地区
分类	印刷品（Prints）
尺寸	页: 16 15/16 × 13 11/16 英寸 (43.1 × 34.8 厘米) Plate: 9 3/8 × 8 1/8 英寸 (23.8 × 20.7 厘米)
介绍（中）	这是布拉克蒙最早的版画之一，他在画中描绘了动物，尤其是鸟类，以评论人类的错误和当代社会。在这里，布拉克蒙含蓄地批评了批评者。这只尖叫的喜鹊手持羽毛，横跨地球仪，"巴黎"一词和让人想起塞纳河的蜿蜒线条清楚地表明了这一点。其他可识别的单词包括"歌剧"、"法语"、"博物馆"、"宫殿"、"学院"和"学校"，表示评论家的不同领域。围绕这只鸟的四节讽刺喜鹊及其健谈，并在评论家和鸟的行为之间划出了清晰的对比。布拉克蒙德在他的评论中引用了奥维德在《变形记》中对喜鹊的描述，并在下页边距引用了"Raucaque garulitas studium que immane logendi"，翻译过来就是"它们沙哑的唠叨，它们对谈话的无限热情。"最初被称为"喜鹊"，1863年印刷品展出时，布拉克蒙德将标题修改为"评论家玛格特"，以强调印刷品的讽刺和寓言方面。
介绍（英）	This is one of Bracquemond’s earliest prints in which he depicted animals, in particular birds, to comment on human faults and contemporary society. Here Bracquemond rendered a veiled criticism of critics. The squawking magpie holds a plume and straddles a globe, which is clearly identified by the word "Paris" and the serpentine line reminiscent of the Seine River. Other recognizable words include "Opera," "French," "Museum," "Palace," "Academy," and "School," signifying the different domains of critics. The four stanzas encircling the bird satirize magpies and their chattiness and draw a clear parallel between critics and the behavior of the birds. Bracquemond underscored his commentary with a reference to Ovid’s description of magpies in "Metamorphoses", citing in the lower margin: "Raucaque garrulitas studium que immane loquendi," which translates to "their hoarse garrulity, their boundless passion for talk." Originally called "A Magpie," when the print was exhibited in 1863, Bracquemond amended the title to "Margot – The Critic" to stress the satirical and allegorical aspect of the print.