刺绣拼接板 - 美国大都会艺术博物馆展品查阅

品名（中）	刺绣拼接板
品名（英）	Embroidered Patchwork Panel
入馆年号	1997年，1997.380
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1250 - 公元 1350
创作地区
分类	刺绣纺织品（Textiles-Embroidered）
尺寸	整体: 58 7/8 x 25 1/4 英寸 (149.5 x 64.1 厘米)
介绍（中）	这种拼接面板包括各种丝绸织物，主要是缎面和锦缎，以一种称为针环的技术精致地绣有花朵、水果和偶尔出现的蝴蝶的图案。这种技术是在镀金纸上用丝绸制作的，可以让发光的黄金显示出有意跳过环的地方。这个中国例子中的补丁似乎是作为独立的单元构建和刺绣的，这些单元被缝合在一起形成了一个更大的面板。相比之下，韩国的拼接布通常是由未经修饰的碎片制成的，而不是刺绣织物，尽管也有由带有刺绣装饰的单一布制成的非拼接bojagi 这种纺织品可能是在佛教背景下使用的，但其确切功能尚不清楚。一个类似的例子，传统上与中国僧人武穴祖元（1226-1286）有关，存在于日本镰仓的佛教寺庙Engakuji的收藏中。
介绍（英）	This patchwork panel comprises various silk textiles, mostly satins and damasks, exquisitely embroidered with the motifs of flowers, fruit, and the occasional butterfly in a technique called needle looping. Worked in silk over gilt paper, the technique allows the luminous gold to show where loops are intentionally skipped. The patches in this Chinese example seem to have been constructed and embroidered as self-contained units that were stitched together to form a larger panel. By contrast, Korean patchwork cloths are usually fashioned from fragments of unadorned, rather than embroidered fabrics, though there are non-patchwork bojagi fashioned from a single cloth with embroidered decoration. This textile was probably used in a Buddhist context but its precise function is unknown. A comparable example, traditionally associated with the Chinese monk Wuxue Zuyuan (1226–1286), resides in the collection of the Buddhist temple Engakuji in Kamakura, Japan.