阿弥陀佛三合会 - 美国大都会艺术博物馆展品查阅

品名（中）	阿弥陀佛三合会
品名（英）	Amitabha triad
入馆年号	1930年，30.76.298
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1150 - 公元 1350
创作地区
分类	绘画（Paintings）
尺寸	图像: 45 1/4 x 23 1/4 英寸 (114.9 x 59.1 厘米) 整体 with mounting: 83 1/4 x 31 1/2 英寸 (211.5 x 80 厘米) 整体 with knobs: 83 1/4 x 34 英寸 (211.5 x 86.4 厘米)
介绍（中）	阿弥陀佛（韩语：Amita）是净土佛教崇拜的焦点，在高丽时期非常受欢迎。奉献者被承诺在念诵阿弥陀佛的名字后进入阿弥陀佛的西方天堂。阿弥陀佛高高地坐在精致的莲花宝座上，两侧是两位菩萨，左边是观世音菩萨（韩语：Gwaneum），右边是摩诃萨摩诃萨（韩语：Dae Seji）。前者的识别属性包括戴在王冠上的阿弥陀佛的微型图像和左手的仪式洒水器或昆迪卡;后者可以通过她皇冠上的昆迪卡来识别。佛陀的手势或手印代表了佛教律法的宣讲。他胸前的符号与佛教有关，起源于古印度。神灵裟上错综复杂的金色装饰，特别是在佛陀服装的圆环上，体现了高丽佛教绘画令人眼花缭乱的精湛技艺。
介绍（英）	The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha’s Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean: Gwaneum) on his left and Mahasthamaprapta (Korean: Dae Seji) on his right. The identifying attributes of the former include a miniature image of Amitabha in her crown and a ritual sprinkler, or kundika, in her left hand; the latter can be identified by the kundika in her crown. The Buddha’s hand gesture, or mudra, represents the preaching of Buddhist law. The symbol on his chest, associated with Buddhism, originated in ancient India. The intricately rendered gold decoration on the deities’ robes, particularly in the roundels of the Buddha’s garment, exemplifies the dazzling virtuosity of Goryeo Buddhist painting.