大雁下降到沙洲 - 美国大都会艺术博物馆展品查阅

品名（中）	大雁下降到沙洲
品名（英）	Wild geese descending to sandbar
入馆年号	1992年，1992.337
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1467 - 公元 1533
创作地区
分类	绘画（Paintings）
尺寸	图像: 49 3/4 × 19 1/4 英寸 (126.4 × 48.9 厘米) 整体 with mounting: 91 3/4 × 24 1/2 英寸 (233 × 62.2 厘米) 整体 with knobs: 91 3/4 × 27 1/4 英寸 (233 × 69.2 厘米)
介绍（中）	这幅风景画以中国现代湖南省为背景，描绘了一个河谷和远处的山脉，那里有一群飞鹅，这是萧湘八景主题中最具辨识度的场景之一。这一主题在宋代在中国文学艺术界声名鹊起。尽管随着时间的推移，它在欧洲大陆的知名度有所下降，但在韩国，这一主题的单色水墨画在十五世纪和十六世纪达到了新的流行高度。事实上，早期的朝鲜卷轴和屏幕展示了八景，代表了韩国对这一经典主题的转变这个卷轴原本是一个集合的一部分。三方构图代表了朝鲜早期这一主题的标准图像。这件作品的风格与十五世纪杰出的宫廷艺术家安敬的风格如出一辙。这幅画以其细腻而精致的笔触，是该时期现存最好的风景画之一。
介绍（英）	Set in the modern province of Hunan, China, this landscape depicts a river valley and distant mountains with a flock of flying geese, the identifying marker of one of the most recognizable scenes from the Eight Views of the Xiao and Xiang Rivers theme. This theme attained renown within Chinese literary and artistic circles during the Song period. Although its fame on the continent receded over time, in Korea, monochrome ink paintings of the subject reached a new height of popularity in the fifteenth and sixteenth centuries. Indeed, early Joseon scrolls and screens illustrating the Eight Views represent Korean transformations of this classic theme. This scroll would originally have been part of a set. The tripartite composition represents the standard iconography of this subject in early Joseon Korea. The style of the work is in the manner of An Gyeon, the preeminent fifteenth-century court artist. With its delicate and sophisticated brushwork, this painting is one of the finest extant landscapes from the period.