一个母亲和孩子在一棵大榉树下休息，鹿在外面吃草，可能在萨里的诺伯里公园 - 美国大都会艺术博物馆展品查阅

品名（中）	一个母亲和孩子在一棵大榉树下休息，鹿在外面吃草，可能在萨里的诺伯里公园
品名（英）	A Mother and Children Resting beneath a Large Beech Tree, Deer Grazing Beyond, possibly in Norbury Park, Surrey
入馆年号	2012年，2012.46
策展部门	绘画和印刷品（Drawings and Prints）
创作者	George Barret, the elder【1732 至 1784】【爱尔兰人】
创作年份	公元 1776
创作地区
分类	图画（Drawings）
尺寸	页: 19 5/16 x 20 1/4 英寸 (49 x 51.5 厘米)
介绍（中）	巴雷特在都柏林出生并接受训练，受到政治家和美学理论家埃德蒙·伯克（Edmund Burke）的鼓励，他探索并展现了达尔谷的野生风光。在搬到英国后不久，这位艺术家于1766年被威廉·洛克（William Lock）聘请来装饰他在萨里诺伯里公园（Norbury Park）的新餐厅——这是他与乔凡尼·巴蒂斯塔·西普里亚尼（Giovanni Battista Cipriani）和贝内代托·帕斯托里尼（Benedetto Pastorini）共同完成的项目。这张令人印象深刻的表是独立于该项目制作的，但很可能代表了诺伯里的场地。以一丛成熟的山毛榉树为中心，仔细观察的树干和树叶证明了约瑟夫·波特（Joseph Pott）在《风景画随笔》（1782）中的评论，即"每一棵树[巴雷特]画的都有鲜明的特点。"这幅作品说明了为什么这位艺术家被视为英国最早关注浪漫风景的人之一。
介绍（英）	Born and trained in Dublin, Barret was encouraged by the politician and aesthetic theorist Edmund Burke to explore and represent the wild scenery of the Dargle Valley. Shortly after moving to England, the artist was hired in 1766, by William Lock, to decorate his new dining room at Norbury Park, Surrey–a project he carried out in company with Giovanni Battista Cipriani and Benedetto Pastorini. This impressive sheet was made independently of that project, but likely represents the grounds at Norbury. Centered on a clump of mature beech trees, the carefully observed trunks and foliage justify Joseph Pott's comment in "Essay on Landscape Painting" (1782) that “Every tree [Barret] paints is distinctly characterized.” The work demonstrates why the artist is regarded as an one of the first in Britain to engage with the concerns of romantic landscape.