Locrian Ajax（Ajax Locrien），来自：普拉特的图像或绘画两位希腊哲学家的绘画（…） - 美国大都会艺术博物馆展品查阅

品名（中）	Locrian Ajax（Ajax Locrien），来自：普拉特的图像或绘画两位希腊哲学家的绘画（…）
品名（英）	Locrian Ajax (Ajax Locrien), from: Les Images ou Tableaux de platte peinture des deux Philostrates Sophistes grecs (...)
入馆年号	2012年，2012.136.168
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Thomas de Leu【1560 至 1620】【法国人】
创作年份	公元 1614 - 公元 1615
创作地区
分类	印刷品（Prints）
尺寸	页: 12 3/16 x 8 11/16 英寸 (31 x 22.1 厘米) image: 9 5/16 x 7 1/2 英寸 (23.6 x 19.1 厘米)
介绍（中）	这幅插图来源于17世纪早期的法语译本，该译本是由一对父子在公元3世纪创作的，他们都姓Philostrates。该文本包括对装饰那不勒斯一座宫殿墙壁的带有神话场景的壁画的描述。目前尚不清楚这座宫殿是否曾经存在，但在文艺复兴时期，这本书引起了人文主义者的极大兴趣，尤其是因为它的语言特点。该文本的第一个法语译本于1578年出版，随后又出版了其他三个版本，均未图示。1609年，亚伯·L·安吉利耶请求获得一份新插图版的特权。制作这些盘子花了几年时间，这本书由L’Angelier的遗孀于1514-1515年出版。1629年和1637年又出版了这本图文并茂的书。其中几幅插图是根据画家安托万·卡隆的设计绘制的，他是枫丹白露第二派的主要人物之一。由于他于1599年去世，画家不太可能直接参与了这本书的制作。然而，他曾与雕刻师Thomas de Leu和Leonard Gaultier合作过其他项目，他们可能在"Les Images"的插图选择中发挥了中介作用。他们与佛兰德版画家Jasper Isaac一起，是将ekphrastic图像翻译成印刷品的主要雕刻师，尽管在印版中可以区分出额外的（未识别的）手。
介绍（英）	This illustration derives from an early-seventeenth-century French translation of a text composed in the third century AD by a father and son both answering to the name Philostrates. The text consists of the descriptions of murals with mythological scenes that decorated the walls of a palace in Naples. It is unclear whether the palace ever existed, but the text attracted great interest among humanists during the Renaissance period, in particular, for its ekphrastic qualities. The first French translation of the text was published in 1578, and was followed by three other editions, all unillustrated. In 1609, Abel L'Angelier requested a privilege for a new illustrated edition. Work on the plates took several years, and the book was published in 1514-1515 by L'Angelier's widow. Further editions of the illustrated book were published in 1629 and 1637. Several of the illustrations were based on designs by the painter Antoine Caron, who was one of the main protagonists of the Second School of Fontainebleau. Since he had passed away in 1599, it is unlikely that the painter was directly involved in the making of this book. He had, however, worked on other projects with the engravers Thomas de Leu and Leonard Gaultier, who may have played an intermediary role in the choice of illustrations for "Les Images". Together with the Flemish printmaker Jasper Isaac, they were the principle engravers involved in the translation of the ekphrastic images into print, although additional (unidentified) hands can be distinguished among the plates.