Ōmi八景（Ō; mi hakkei） - 美国大都会艺术博物馆展品查阅

品名（中）	Ōmi八景（Ō; mi hakkei）
品名（英）	Eight Views of Ōmi (Ōmi hakkei)
入馆年号	1994年，1994.566
策展部门	亚洲艺术（Asian Art）
创作者	Soga Shōhaku【1730 至 1781】【日本人】
创作年份	公元 1762 - 公元 1766
创作地区
分类	绘画（Paintings）
尺寸	图像: 46 英寸 x 13 ft. (116.8 x 396.2 厘米)
介绍（中）	十八世纪下半叶，Soga Shōhaku在京都是一位杰出的人物，尽管他很古怪，但他发展出的风格使他与卡诺派、南迦派和志贺派的画家不同。在这里，他描绘了八景的标准水墨山水主题，但带有局部扭曲。这个屏幕，一对的左边，显示了Ōmi八景中的四个。中国主题中庆祝的每一个时刻都与日本最大、最具传奇色彩的琵琶湖地区的地点和季节相匹配，琵琶湖位于构成古都京都东部边界的山脉以东。他对当代和当地的解读是以一种水墨画的风格呈现的，这种风格有意地引用了活跃于十五世纪末和十六世纪的索加派画家的作品。右边引人注目的是石山寺，这是一座山坡上的寺庙，据说《源氏物语》的作者被湖上反射的满月所打动，在这里写下了她引人注目的宫廷生活画像。
介绍（英）	Soga Shōhaku was a prominent, if eccentric, figure in Kyoto during the second half of the eighteenth century, when he developed the style that set him apart from painters of the Kano, Nanga, and Shijō schools. Here, he has depicted the standard ink landscape theme of Eight Views, but with a local twist. This screen, the left of a pair, shows four of the Eight Views of Ōmi. Each of the moments celebrated in the Chinese theme has been matched with a place and season from the area of Lake Biwa, Japan's largest and most fabled lake, just east of the mountains that form the eastern border of the ancient capital at Kyoto. His contemporary and local interpretation is rendered in a style of ink painting that knowingly refers to the work of painters of the Soga school, who were active during the late fifteenth and sixteenth centuries. Conspicuous on the right is the Ishiyamadera, the hillside temple where the author of The Tale of Genji is said to have been moved to write her compelling portrait of court life by the sight of the full moon reflected on the lake.