秋山佛寺 - 美国大都会艺术博物馆展品查阅

品名（中）	秋山佛寺
品名（英）	Buddhist Temples amid Autumn Mountains
入馆年号	1983年，1983.12
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1300 - 公元 1399
创作地区
分类	绘画（Paintings）
尺寸	图像: 12 7/8 英寸 × 10 ft. 6 1/2 英寸 (32.7 × 321.3 厘米) 整体 with mounting: 13 1/8 英寸 × 37 ft. 2 1/8 英寸 (33.3 × 1133.2 厘米)
介绍（中）	长长的风景手环经常显示旅行者在移动。这些微小的人物引导我们穿过卷轴上描绘的世界，使其人性化，并集中我们的注意力。在这幅画的开头部分，一个坐在小船上的男人把一支竹笛放在嘴唇上，灵感来自风景。在对岸，一位老人拄着拐杖走向一间茅草屋。再往前走，一个伐木工人开着他的骡子火车沿着一条栈道进入山区。最后是一个休息的场景：一个孤独的船夫蜷缩在他的小船上，颤抖的手臂下夹着杆子，等待着旅行者摆渡到遥远的海岸。当我们在展开卷轴的过程中发现风景时，这些旅程反映了我们自己这幅画拥有一套由14世纪作家创作的令人印象深刻的科隆琴，其中包括两位著名的学者画家倪赞和卢光。尽管这幅画本身有十至十一世纪画家严文贵的签名，但它似乎是十四世纪倪鲁时期的复制品。因此，这些巨像可能最初是为另一幅画制作的，但后来被安装在这幅作品上以提高其价值。
介绍（英）	Long landscape handscrolls often show travelers on the move. These tiny figures guide us through the world depicted on the scroll, humanizing it and focusing our attention. In the opening section of this painting, a man in a skiff puts a bamboo flute to his lips, inspired by the scenery. On the far shore, an old man walks to a thatched hut with the aid of a walking stick. Further in, a wood gatherer drives his mule train along a plank road into the mountains. At the end, a scene of repose: a lone boatman huddles in his skiff, pole tucked under his shivering arm, waiting for travelers to ferry to the distant shore. These journeys mirror our own as we discover the landscape through the process of unrolling the scroll. This painting boasts an impressive suite of colophons by fourteenth-century writers, including two renowned scholar-painters, Ni Zan and Lu Guang. Though the painting itself bears a signature of the tenth- to eleventh-century painter Yan Wengui, it appears to be a copy from the fourteenth century, the time of Ni and Lu. Therefore, it is possible that these colophons were originally made for another painting but later mounted to this work to enhance its value.