马克西米利安一世皇帝肖像 - 美国大都会艺术博物馆展品查阅

品名（中）	马克西米利安一世皇帝肖像
品名（英）	Portrait of Emperor Maximilian I
入馆年号	1975年，1975.653.108
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Hans Weiditz the Younger【1500 至 1536】【德国人】
创作年份	公元 1519
创作地区
分类	印刷品（Prints）
尺寸	页: 21 13/16 x 14 15/16 英寸 (55.4 x 38 厘米)
介绍（中）	魏迪茨是一位著名的版画家，1518年，他已经在汉斯·伯格克迈尔的工作室里当熟练工。这一年，奥格斯堡举办了马克西米利安的最后一次帝国晚宴，丢勒与皇帝坐在一个小房间里，把他从生活中拉出来。从这幅敏感的画作中出现了一幅木刻画和丢勒的两幅马克西米利安画作。在丢勒的原始块之后，还有几种木刻变体。魏迪茨的版本是最精致的，马克西米利安被放置在一个完全装饰的拱门下面。柱子顶部是狮鹫，上面象征着他的权威，例如皇冠和徽章，以及将他的链条与金羊毛勋章捆绑在一起的勃艮第燧石。魏迪茨的肖像创作于1519年皇帝去世后，不仅庆祝马克西米利安作为罗马帝国直系后裔的权力，还庆祝他对文艺复兴时期情感的拥抱。
介绍（英）	A celebrated printmaker, Weiditz was working as a journeyman in Hans Burgkmair’s workshop by 1518. In this year, Augsburg hosted Maximilian’s final imperial diet, at which Dürer sat with the emperor in a small chamber and drew him from life. From this sensitive drawing came a woodcut and two paintings of Maximilian by Dürer. There are also several woodcut variants after Dürer’s original block. Weiditz’s version is the most elaborate, with Maximilian placed below a fully ornamented archway. The columns are topped by griffins that hold symbols of his authority, such as the imperial crown and coat of arms, as well as Burgundian flints that bind his chain with the Order of the Golden Fleece. Created in the wake of the emperor’s death in 1519, Weiditz’s portrait not only celebrates Maximilian’s power as the direct descendant of Imperial Rome, but also his embrace of Renaissance sensibilities.