小肩鼓（Kotsuzumi）配绣球用于Noh表演 - 美国大都会艺术博物馆展品查阅

品名（中）	小肩鼓（Kotsuzumi）配绣球用于Noh表演
品名（英）	Small Shoulder Drum (Kotsuzumi) with Hydrangeas for Noh Performance
入馆年号	2019年，2019.95
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1600 - 公元 1800
创作地区
分类	油漆（Lacquer）
尺寸	长10 英寸 (25.4 厘米); 直径 4 英寸 (10.2 厘米)
介绍（中）	在日本，称为kotsuzumi和稍大的ōtsuzumi的小型手鼓在镰仓时期（1185年至1333年）的寺院祭祀中演奏，用于沙鲁加库舞和shirabiō; shi舞，并构成了Noh和后来的歌舞伎剧院音乐伴奏的重要组成部分。直到江户时代（1615-1868）结束，双头、腰鼓也被用于流行的娱乐活动。这件作品和其他tsuzumi作品的沙漏形状反映了它的使用方式；鼓被放在左肩上，传统上绑在鼓芯上的马皮覆盖着每个杯状鼓头，用右手手掌击打。鼓芯的木质主体上覆盖着几层黑色油漆，上面采用了扁平的maki-e（撒金）设计。其中一些被保留在黑色的保护区，而另一些则被处决在金色的hiramaki-e。绣球花是初夏的象征，是鼓身的合适设计，因为它花瓣颜色的变化也代表了音乐中的一种品质。
介绍（英）	In Japan, small hand drums called kotsuzumi, and the slightly larger ōtsuzumi, were played at temple dedications, for sarugaku and shirabyōshi dances of the Kamakura period (1185–1333), and formed an important part of the musical accompaniment for the Noh and later the Kabuki theatre. Examples of double-headed, waisted drums were also used in popular entertainments until the end of the Edo period (1615–1868). The hourglass shape that characterizes this piece and other examples of tsuzumi reflects the manner of its use; the drum was held over the left shoulder, and the horsehide traditionally lashed to the core, to cover each cup-shaped drum head, would be struck with the palm of the right hand. The wooden body of this drum core was covered with layers of black lacquer upon which the flat maki-e (sprinkled gold) design was applied. Some of the lines were left in black reserve, while others were executed in gold hiramaki-e. The hydrangea, a symbol of early summer, was an appropriate design for drum bodies, as the changing colors of its petals also represented a quality valued in music.