“描绘绘画并使其对艺术家有用的各种工厂的废墟”系列中的建筑[主题Ro Penatibus Dicatu]局部视图 - 美国大都会艺术博物馆展品查阅

品名（中）	“描绘绘画并使其对艺术家有用的各种工厂的废墟”系列中的建筑[主题Ro Penatibus Dicatu]局部视图
品名（英）	Partial view of a Building [Tem Ro Penatibus Dicatu] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'
入馆年号	1948年，48.13.4(71a)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Lambert Suavius【1510 至 1576】【荷兰人】
创作年份	公元 1554
创作地区
分类	书（Books）
尺寸	Plate: 4 7/8 x 4 1/8 英寸 (12.4 x 10.5 厘米) [uneven edge]
介绍（中）	对一座寺庙的透视描绘，在侧视图（？）中被称为"Tem"。罗佩纳提布斯·迪卡图。该建筑的特点是其中心平面图，并放置在高高的讲台上，左侧有台阶通往讲台。建筑的主体是圆形的，正面有一个前卫的军团。这座建筑的顶部是一个阶梯式圆顶，由一个装饰的鼓和顶部的灯笼支撑。虽然这座建筑在本质上看起来很梦幻，但它有一些相似之处，几乎是拉斐尔和佩鲁吉诺在各自版本的《斯波萨利齐奥》和后一位艺术家的《钥匙的交付》中描绘的中央寺庙的仿制品 Gerard de Jode出版的这幅版画和本系列中的其他几幅版画是根据一组意大利建筑版画复制的，这些版画之前被认为是大师G.a.和Caltrop的作品，并于1530年至1550年间在罗马首次出版。这些版画描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。
介绍（英）	Perspectival depiction of a temple, seen in side view (?) referred to as the ‘Tem. Ro. Penatibus Dicatu.’. The building is characterized by its central plan and placed on high podium with steps leading up to it on the left side. The main body of the building is circular in shape, with an avant-corps on the front side. The building is crowned by a stepped cupola supported by a drum decorated and a lantern at the top. While the building appears to be fantastical in nature, it bears some resemblance, and almost seems a pastiche of the centralized temples depicted by Raphael and Perugino in their respective versions of the ‘Sposalizio’, and in the latter artist’s ‘Delivery of the Keys’. This print and several others in this series published by Gerard de Jode were copied after a group of Italian architectural prints, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints depict buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states.