“Ruinarum variarum fabricarum despectiones pictoribus caetrique id genus articulibus multum utiles”系列中的一座建筑（Templum Iovis Ultoris）的局部视图 - 美国大都会艺术博物馆展品查阅

品名（中）	“Ruinarum variarum fabricarum despectiones pictoribus caetrique id genus articulibus multum utiles”系列中的一座建筑（Templum Iovis Ultoris）的局部视图
品名（英）	Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'
入馆年号	1948年，48.13.4(72b)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Lambert Suavius【1510 至 1576】【荷兰人】
创作年份	公元 1554
创作地区
分类	书（Books）
尺寸	Plate: 5 5/16 x 2 3/4 英寸 (13.5 x 7 厘米)
介绍（中）	对一座寺庙的透视描绘，被认为是"Tenplum[原文如此]Iovis Ultoris"。该建筑的特点是其中心平面图，并放置在带有三个台阶的讲台上，台阶遵循建筑圆形平面图的形状。这座建筑有两个主要楼层。一楼有门廊，而二楼有矩形窗户，顶部有山墙，两侧有壁柱。这座建筑的顶部是一个圆顶灯笼，由一个装饰有C形卷边的鼓支撑。虽然这座建筑在本质上看起来很梦幻，但它与布拉曼特的"Tempietto"以及拉斐尔和佩鲁吉诺在各自版本的"Sposalizio"和后者艺术家的"Delivery of the Keys"中描绘的中央寺庙有一些相似之处 Gerard de Jode出版的这本印刷品和本系列中的其他几本印刷品是根据一组意大利建筑印刷品复制的，这些印刷品之前是由大师G.a.和Caltrop创作的，并于1530年至1550年间在罗马首次出版。这些版画描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态 Suavius在右上角添加了一个小脸，这不是原来的一部分。
介绍（英）	Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilasters. The building is crowned by a domed lantern which is supported by a drum decorated with C-volutes. While the building appears to be fantastical in nature, it bears some resemblance to Bramante’s ‘Tempietto’ and the centralized temples depicted by Raphael and Perugino in their respective versions of the ‘Sposalizio’, and in the latter artist’s ‘Delivery of the Keys’. This print and several others in this series published by Gerard de Jode were copied after a group of Italian architectural prints, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints depict buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. Suavius added the small face on the top right, which is not part of the original.