从“描绘绘画和艺术家的各种工厂的废墟”系列中建造的建筑对绘画很有用。 - 美国大都会艺术博物馆展品查阅

品名（中）	从“描绘绘画和艺术家的各种工厂的废墟”系列中建造的建筑对绘画很有用。
品名（英）	Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'
入馆年号	1948年，48.13.4(73a)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Lambert Suavius【1510 至 1576】【荷兰人】
创作年份	公元 1554
创作地区
分类	书（Books）
尺寸	Plate: 3 3/4 x 4 13/16 英寸 (9.5 x 12.3 厘米) (uneven plate)
介绍（中）	对一座被称为"Aerarii Publici Rome"的建筑的侧视图的透视描绘，该建筑是罗马的公共金库。建筑的主体是圆形的，以规则的间隔被半圆形的荒诞派和正面的先锋军团打断（如左图所示）。前卫的尸体由一个巨大的楼梯组成，楼梯通向大楼的四楼。一个单独的楼梯通向大楼的顶部，顶部是一个带栏杆的圆顶。虽然这座建筑旨在代表罗马的公共财政，被认为位于萨图努斯神庙附近的卡皮托林山上，但几乎没有建筑元素可以表明这座建筑的外观，而这座建筑很可能是作为一个ekphrasis创作的 Gerard de Jode出版的这幅版画和本系列中的其他几幅版画是根据一组意大利建筑版画复制的，这些版画之前被认为是大师G.a.和Caltrop的作品，并于1530年至1550年间在罗马首次出版。这些版画描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。
介绍（英）	Perspectival depiction of the side view of a building referred to as the ‘Aerarii Publici Rome’, the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi-circular absidioles and an avant-corps on the front side (here seen on the left). The avant-corpse consists of a monumental staircase that leads up to the fourth floor of the building. A separate staircase leads to the top of the building, which is crowned by a dome with a balustrade. While the building is meant to represent the public treasury of Rome, thought to have been located on the Capitoline Hill near the Temple of Saturnus, very few architectural elements remain to indicate what the building may have looked like, and this rendition was likely created as an ekphrasis. This print and several others in this series published by Gerard de Jode were copied after a group of Italian architectural prints, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints depict buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states.