金星和罗马神庙遗址的垂直景观，来自系列“Ruinarum variarum fabricarum despectiones pictoribus caetrique id genus articulibus multum utiles” - 美国大都会艺术博物馆展品查阅

品名（中）	金星和罗马神庙遗址的垂直景观，来自系列“Ruinarum variarum fabricarum despectiones pictoribus caetrique id genus articulibus multum utiles”
品名（英）	Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'
入馆年号	1948年，48.13.4(66)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Lambert Suavius【1510 至 1576】【荷兰人】
创作年份	公元 1554
创作地区
分类	书（Books）
尺寸	Plate: 7 1/4 × 5 11/16 英寸 (18.4 × 14.4 厘米)
介绍（中）	罗马Velian山上的维纳斯和罗马神庙废墟的侧视图垂直板。这座建筑因其突出的拱顶而引人注目，至今仍屹立不倒。从南方看，这座建筑的角度与大多数早期现代描绘不同，很可能是基于对结构的现场观察 "Ruinarum variarum fabricarum descriptiones pictoribus caeterique id genera属artificibus multum utiles"是Gerard de Jode出版的一个印刷系列，包含了以风格化景观为背景的古典古代建筑的描绘。该系列中的板块可分为两组：十七个板块是景观场景，其中包含可识别建筑的废墟。15个图版从这些大气景观中脱颖而出，可以被确定为意大利印刷系列的近距离复制品（有时是反向复制品），该系列之前被认为是大师G.A.的作品，于1530年至1550年在罗马首次出版。这些版画还描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。
介绍（英）	Vertical plate with a side view of the ruins of the Temple of Venus and Roma on the Velian Hill in Rome. The building is recognizable by its prominent apsis that still stands today. The angle of the building, as seen from the South, varies from most other early modern depiction, and was likely based on an in situ observation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Antiquity, set in stylized landscapes. The plates in the series can be divided in two groups: seventeen plates are landscape scenes, which contain ruines of identifiable buildings. Fifteen plates stand out from these atmospheric landscapes, and can be identified as close (sometimes reversed) copies after an Italian print series, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints also depict buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states.