溪山之间的旅行者 - 美国大都会艺术博物馆展品查阅

品名（中）	溪山之间的旅行者
品名（英）	Travelers among Streams and Mountains
入馆年号	1981年，1981.285.6
策展部门	亚洲艺术（Asian Art）
创作者	Wu Li【1632 至 1718】【中国人】
创作年份	公元 1670 - 公元 1679
创作地区
分类	绘画（Paintings）
尺寸	图像: 23 1/4 x 10 5/8 英寸 (59.1 x 27 厘米) 整体 with mounting: 73 1/2 x 18 英寸 (186.7 x 45.7 厘米) 整体 with knobs: 73 1/2 x 21 1/4 英寸 (186.7 x 54 厘米)
介绍（中）	清初正统派六大家之一的吴澧，以正统派画家王世民（1592-1680）的画册开始了对古画的研究。这张专辑名为《小见大》，收录了王的宋元名作在《溪山旅行家》一书中，吴澧仔细复制了一张保存了已故元大师王蒙（约1308-1385）作品的画册叶子。吴的诠释赋予作品新的生命，然而，通过他的活力和自发性的执行。在笔、墨、纸和观察到的形式之间的不断互动中，吴理的笔触和构图随着艺术家表演的"气势"和"力"而增长除了高超的笔法，吴力还表现出了用墨的天才；他使用不同深浅的灰色，在他的风景中创造出明亮的大气品质，这是他的标志之一。
介绍（英）	Wu Li, one of the six great Orthodox School masters of the early Qing, began his study of ancient paintings with an album owned by the venerable Orthodox painter Wang Shimin (1592–1680). The album, entitled Within Small See Large (Xiaozhong xianda), contained reduced copies of Song and Yuan masterpieces owned by Wang. In Travelers among Streams and Mountains, probably made in the 1670s, Wu Li carefully copies the album leaf that preserves a composition by the late Yuan master Wang Meng (ca. 1308–1385). Wu’s interpretation gives the work new life, however, through the vigor and spontaneity of his execution. Responding and adjusting to each newly realized brushstroke in a constant interaction between brush, ink, paper, and the observed form, Wu Li’s brushwork and composition grow with the “momentum” and “force” (shi) of the artist’s performance. In addition to superb brushwork, Wu Li demonstrates a genius for using ink; using different shades of gray, he creates in his landscape the luminous atmospheric quality that is one of his hallmarks.