杰瑟普登陆附近的景观（哈德逊河投资组合第3号） - 美国大都会艺术博物馆展品查阅

品名（中）	杰瑟普登陆附近的景观（哈德逊河投资组合第3号）
品名（英）	View Near Jessup's Landing (No. 3 of The Hudson River Portfolio)
入馆年号	1954年，54.90.1274(3)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	John Rubens Smith【1775 至 1849】【美国人】
创作年份	公元 1821 - 公元 1822
创作地区
分类	印刷品（Prints）
尺寸	图像: 14 1/16 x 20 3/16 英寸 (35.7 x 51.3 厘米) 页: 19 x 24 1/2 英寸 (48.3 x 62.2 厘米)
介绍（中）	这片哈德逊河景观位于格伦斯瀑布上游几英里处，回头看去是阿迪朗达克山脉，右边的树桩是最近伐木的结果。约翰·阿格（John Agg）的相关文本告诉我们，"该国这一地区的轮廓是粗犷的、树木丛生的和多山的：人类工业在软化和限定崎岖不平的大自然方面做得很少；土地部分被清理，但更多的是被耕种。"作品来自哈德逊河档案馆（Hudson River Portfolio），该档案馆是美国版画艺术的丰碑，由艺术家合作制作，作家和出版商。1820年夏天，出生于爱尔兰的威廉·盖伊·沃尔（William Guy Wall）沿着哈德逊河（Hudson）游览并写生，然后画了一系列大型水彩。同样规模的印刷品被提议以四套一套的方式发行给订户，约翰·鲁本斯·史密斯被雇来制作这些印版。几乎立刻，史密斯就被伦敦训练有素的水彩雕刻师约翰·希尔取代了，他完成了前四块印版，到1825年又制作了十六块。在接下来的十年里，Portfolio的流行激发了人们对美国景观的新欣赏，并为哈德逊河学校铺平了道路。
介绍（英）	This Hudson landscape, a few miles upriver from Glens Falls, looks back towards the Adirondacks, with stumps at right the result of recent logging. John Agg's related text tells us that, "the contour of this part of the country is rude, woody, and mountainous: human industry has done but little to soften and qualify the rugged asperity of nature; the lands are partially cleared and still more partially cultivated." The work comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born William Guy Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.