大杯子的设计 - 美国大都会艺术博物馆展品查阅

品名（中）	大杯子的设计
品名（英）	Design for a Large Goblet
入馆年号	2014年，2014.760
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jost Amman【1539 至 1591】【瑞士人】
创作年份	公元 1550 - 公元 1591
创作地区
分类	图画（Drawings）
尺寸	页: 30 3/8 x 13 9/16 英寸 (77.2 x 34.5 厘米)
介绍（中）	在十六世纪和十七世纪，现代德国南部是金银匠工作的重要中心。如今，为众多王子、政府官员和富商创作的许多华丽的器皿、盘子、棺材和雕塑中心只有一部分幸存下来。与这个行业相关的图纸更为罕见。这种16世纪按比例设计的大型带盖高脚杯或杯子因其早期存放在相册中而得以保存。更有可能的是，它是用白银执行的。杯子的把手和底部用高浮雕装饰。旋钮上的装饰以系带的马头为特色，周围环绕着水果花环。上面，放置了两个纯粹装饰性的把手，最终形成了优雅的杂交生物。杯子的底部有一条饰有系带狮子的饰带，再加上水果花环。杯子的盖子上有一个完全立体的人物，一个男人拄着一把长枪，配着一只狗，这表明高脚杯是一个狩猎奖杯。令人惊讶的是，船表面有很大一部分没有装饰，这在当时是不寻常的。目前尚不清楚这是否是成品的外观，也不清楚这些表面是否用于雕刻装饰。这种装饰不是最初锻造和雕刻过程的一部分（因此可能没有描绘），但在那个时期的银质高脚杯上非常常见。该设计被谨慎地归因于瑞士艺术家约斯特·安曼或他的直系亲属，但相关船只尚未确定。
介绍（英）	The southern part of modern-day Germany was an important center for gold- and silversmith’s work during the sixteenth and seventeenth centuries. Today only a fragment of the many splendid vessels, plates, caskets, and sculptural centerpieces, created for numerous princes, government officials, and wealthy merchants, survives. Even rarer are drawings related to this industry. This sixteenth-century to-scale design for a large lidded goblet or cup was preserved as a result of its early storage in an album. More than likely, it was (meant to be) executed in silver. The knob and bottom part of the cup are decorated in high relief. The decoration on the knob is characterized by horse heads set in strapwork, surrounded by fruit garlands. Above, two purely decorative handles have been placed which culminate in elegant hybrid creatures. The base of the cup shows a frieze with lions caught in strapwork, combined with garlands of fruit. The lid of the cup is crowned by the fully three-dimensional figure of a man leaning on a long spear, accompanied by a dog, which indicates that the goblet was meant as a hunting trophy. A surprisingly large part of the surface of the vessel is left undecorated, which is uncharacteristic for the time. It is unclear whether this was how the finished piece was meant to look or whether these surfaces might have been intended for engraved decorations. Such decorations were not part of the initial forging and sculpting process (and therefore perhaps not depicted), but were very common on silver goblets of the period. The design has been cautiously attributed to the Swiss artist Jost Amman or his direct circle, but a related vessel has not been identified.