“Comus–The Measure”的成分研究（直肠）；在提香之后，研究一个男人的右腿，以及“Comus–The Measure”（尾曲）的侧影 - 美国大都会艺术博物馆展品查阅

品名（中）	“Comus–The Measure”的成分研究（直肠）；在提香之后，研究一个男人的右腿，以及“Comus–The Measure”（尾曲）的侧影
品名（英）	Compositional Study for “Comus–The Measure”(recto); Studies of a Man’s Right Leg, after Titian, and a Profile, for "Comus–The Measure"(verso)
入馆年号	2013年，2013.80
策展部门	绘画和印刷品（Drawings and Prints）
创作者	George Richmond【1809 至 1896】【英国人】
创作年份	公元 1864
创作地区
分类	图画（Drawings）
尺寸	页: 9 5/8 × 11 9/16 英寸 (24.4 × 29.3 厘米)
介绍（中）	里士满的职业生涯始于"古人"，也是塞缪尔·帕尔默的密友。两人一生都对弥尔顿情有独钟，这幅画的灵感来自诗人的《Comus，a Masque》。里士满在画布上工作了三十年（现在在利物浦沃克美术馆），1864年展出。他代表了一个关键时刻，科玛斯结合了巴克斯和帕克的特点，告诉他的舞伴们躲在树林里。以前，他们曾邀请一个在树林里迷路的女孩加入他们，但现在听到她的兄弟们来找她。作为回应，科玛斯命令道："停下，停下，我感觉到了不同的节奏，/在这片土地附近有一个纯洁的立足点，/跑到你的裹尸布前，在树林里；/我们的数字可能会吓一跳。"基本的视觉动态展示了里士满在伦敦国家美术馆对提香的《巴克斯与阿里阿德涅》的仔细研究。
介绍（英）	Richmond began his career as a member of "The Ancients," and close friend of Samuel Palmer. The two shared a life-long devotion to Milton, and this drawing relates to a painting inspired by the poet's "Comus, a Masque." Richmond worked on the canvas (now at the Walker Art Gallery, Liverpool), for three decades before exhibiting it in 1864. He represents a pivotal moment when Comus, who combines aspects of Bacchus and Puck, tells his dancing followers to hide in the woods. Previously, they have invited a girl they found lost in the wood to join them, but now hear her brothers approaching to reclaim her. In response, Comus commands, "Break off, Break off, I feel the different pace, / Of some chaste footing near about this ground, / Run to your shrouds, within the breaks and trees; / Our number may affright." The basic visual dynamic demonstrates Richmond's close study of Titian’s "Bacchus and Ariadne," at the National Gallery in London.