圣劳伦斯殉难；（反面）给口渴的人喝水 - 美国大都会艺术博物馆展品查阅

品名（中）	圣劳伦斯殉难；（反面）给口渴的人喝水
品名（英）	The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty
入馆年号	1981年，1981.365.1
策展部门	欧洲绘画（European Paintings）
创作者	Master of the Acts of Mercy【1460 至 1470】【奥地利人】
创作年份	公元 1460 - 公元 1470
创作地区
分类	绘画（Paintings）
尺寸	Painted surface 29 x 18 3/8 英寸 (73.7 x 46.7 厘米)
介绍（中）	这幅壁画最初是一幅祭坛画的一部分，特里尔圣戴蒂施博物馆的两幅壁画也属于这幅壁画——《施洗约翰的斩首》（背面是《朝圣者哈博林》[背面是《喂养饥饿者》在这里发现的激进的现实主义和形式上的简洁是15世纪下半叶萨尔茨堡作品的特点。劳伦斯烤架上的阴影表明，这位艺术家熟悉雕刻和木刻技术，这些新发现的艺术形式可能起源于上莱茵地区。
介绍（英）	This panel was orginally part of an altarpiece to which two panels in the Städtisches Museum at Trier—Beheading of John the Baptist (with Harboring the Pilgrim on the reverse), and The Feast of Herod (with Feeding the Hungry on the reverse)—also belonged. When the altarpiece was closed, the Acts of Mercy could be seen while the opened altarpiece showed the gold-ground paintings with scenes from the life of John the Baptist and Saint Lawrence. Since the Acts of Mercy depicted in the art of this period commonly numbered six, three panels are probably missing from the wings of the altarpiece, one with the Baptism of Christ, and two other scenes from the life of Saint Lawrence. There is no indication of the contents of the central panel. An altarpiece by the same hand is in the Nonnberg at Salzburg, where this panel may also have been painted. The aggressive realism and formal simplicity found here are characteristic of works made in Salzburg in the second half of the fifteenth century. Hatch marks to indicate shadows on Lawrence's grill suggest that the artist was familiar with the techniques of engraving and woodcutting, newly discovered art forms which probably originated in the Upper Rhine region.