十六罗汉 - 美国大都会艺术博物馆展品查阅

品名（中）	十六罗汉
品名（英）	The Sixteen Luohans
入馆年号	1989年，1989.235.3
策展部门	亚洲艺术（Asian Art）
创作者	Qiu Ying【1485 至 1562】【中国人】
创作年份	公元 1500 - 公元 1599
创作地区
分类	绘画（Paintings）
尺寸	图像: 13 9/16 x 206 3/8 英寸 (34.4 x 524.2 厘米) 整体 with mounting: 13 7/8 x 468 3/4 英寸 (35.2 x 1190.6 厘米)
介绍（中）	邱英最著名的作品是用鲜艳的矿物色绘制的画作，他有时会单独用墨水来展示自己的绘图技巧。在罗汉士及其随从的动态队伍中，人物通过精致的控制、起伏和折叠的画笔线条和明亮的渐变水洗而活跃起来。邱对细节的热情体现在圣人古怪的特征和长袍精致的织物设计的显著个性化上。尽管艺术家的题词将僧侣艺术家关秀（832–912）视为其灵感来源，但这位九世纪大师怪诞的罗汉在这里被优雅的中国化苦行僧所取代反映了佛教和儒家思想在后来的中国文化中的融合，这一支罗汉队伍隆重地护送着一位中国学者走出云层，这位中国学者的身份可以从他高高的帽子和长袍中辨认出来。
介绍（英）	Best known for his paintings rendered in brilliant mineral colors, Qiu Ying sometimes worked in ink alone to demonstrate his skill as a draftsman. In this dynamic procession of luohans and their attendants, the figures are enlivened through exquisitely controlled, undulating and folded brush lines and luminous graded washes. Qiu's enthusiasm for detail is evident in the remarkable individualization of the holy men's eccentric features and the delicate textile designs of their robes. Although the artist's inscription credits the monk-artist Guanxiu (832–912) as the source of his inspiration, the ninth-century master's grotesque luohans have here been replaced by elegant Sinicized ascetics. Reflecting the blending of Buddhism and Confucianism in later Chinese culture, this procession of luohans is shown ceremoniously escorting a Chinese scholar—identifiable by his tall cap and full robes—and his retinue out of the clouds.