伊加上野文人书画 - 美国大都会艺术博物馆展品查阅

品名（中）	伊加上野文人书画
品名（英）	Paintings and Calligraphy by Literati of Iga Ueno
入馆年号	1989年，1989.302
策展部门	亚洲艺术（Asian Art）
创作者	Fifty-six artists
创作年份	公元 1800 - 公元 1833
创作地区
分类	绘画（Paintings）
尺寸	55 英寸 x 12 ft. 4 1/2 英寸 (139.7 x 377.2 厘米)
介绍（中）	这个八格屏幕展示了在前现代日本如何保存各种格式的小画作、诗卡和带有拉丝铭文的扇子。收藏家无需将它们粘贴到相册中或单独安装，而是可以将它们附加到屏幕上 tanzaku（垂直诗卡）、shikishi（方形诗卡）、kaishi（较大的水平诗张）、扇子以及更大的绘画和书法题词。最初，这个屏幕上贴着五十九张不同形状和大小的纸张，但后来有三张被移除。这个屏幕的原始所有者不仅能够用他杰出的文学朋友圈给游客留下深刻印象，而且"拼贴屏幕"（Harimaze byōbu）的整体装饰效果也将是一种享受。这里代表的大多数画家和书法家都是位于名古屋和大阪之间的城下町伊贺上野（现为三重县上野市的一部分）的文人。这里是伟大的俳句诗人松尾芭蕉的出生地，因此即使在江户时代后期，这里仍然以其文学遗产而自豪。这里的作品似乎是在十九世纪初组装的。
介绍（英）	This eight-panel screen demonstrates how small paintings in various formats, poem cards, and fans with brushed inscriptions could be preserved in premodern Japan. Instead of pasting them into an album or mounting them individually, a collector could attach to a screen tanzaku (vertical poem cards), shikishi (square poem cards), kaishi (larger horizontal poem sheets), fans, and larger paintings and calligraphic inscriptions. Originally there were fifty-nine sheets in various shapes and sizes attached to this screen, but three were subsequently removed. Not only would the original owner of this screen been able to impress visitors with his distinguished circle of literary friends, the overall decorative effect of the “collage screen” (harimaze byōbu) would have been a matter of enjoyment. Most of the painters and calligraphers represented here were literati of the castle town of Iga Ueno (now part of Ueno city in Mie Prefecture), halfway between Nagoya and Osaka. This is where the great haiku poet Matsuo Bashō was born, so it is an area that prided itself on its literary heritage even into the late Edo period. The works here seem to have been assembled in the early nineteenth century.