侧卧像 - 美国大都会艺术博物馆展品查阅

品名（中）	侧卧像
品名（英）	Reclining Figure
入馆年号	1912年，12.223.3
策展部门	伊斯兰艺术（Islamic Art）
创作者
创作年份	公元 1605 - 公元 1665
创作地区	归属于: 伊朗（Attributed to: Iran）
分类	密码（Codices）
尺寸	Painting: 高 3 3/4 英寸 (9.5 厘米) 宽 6 15/16 英寸 (17.6 厘米) Page: 高 3 3/4 英寸 (9.5 厘米) 宽 6 15/16 英寸 (17.6 厘米) Mat: 高 14 1/4 英寸 (36.2 厘米) 宽 19 1/4 英寸 (48.9 厘米)
介绍（中）	这个人物优雅地披在垫子上，梦幻般地凝视着观众的空间，传统上被认为是女性。不仅是带有装饰边框的紧身裤，还有这个人物宽大的大腿、珍珠项链和长发，都与萨非王朝时期的女性有关。然而，这顶松软的长帽是一件男性服装，这让人对这幅画有了不同的解读。根据17世纪来伊朗的欧洲游客的说法，"穿着娘娘腔"的年轻人受雇于咖啡馆，以暗示性的方式跳舞，并为男性顾客充当妓女。萨非王朝描绘的迷人女性的画作总是强调她们的胸部，通常会露出更多的皮肤，而这个人物则会遮住胸部，全身赤裸，依靠他迷人的姿势来取悦观众或作品所有者。
介绍（英）	This figure, elegantly draped over a cushion and dreamily gazing into the viewer’s space, has traditionally been identified as a woman. Not only the leggings with a decorative border, but also the figure’s voluminous thighs, pearl necklace and long hair are all associated with women in the Safavid period. However, the long floppy cap is an article of male clothing and suggests a different reading of this drawing. According to European visitors to Iran in the seventeenth century, youths who "dressed effeminately" were employed in coffeehouses to dance suggestively and serve as prostitutes for the male clientele. Safavid paintings of alluring women invariably emphasize their breasts and often show more skin whereas this figure covers his chest and is fully clothed, relying on his alluring pose to please the viewer or owner of this work.