一百匹马 - 美国大都会艺术博物馆展品查阅

品名（中）	一百匹马
品名（英）	One Hundred Horses
入馆年号	1991年，1991.134
策展部门	亚洲艺术（Asian Art）
创作者	Giuseppe Castiglione【1688 至 1766】【意大利人】
创作年份	公元 1723 - 公元 1725
创作地区
分类	绘画（Paintings）
尺寸	图像: 37 英寸 x 25 ft. 10 3/4 英寸 (94 x 789.3 厘米) 整体 with mounting: 高 38 1/2 英寸 (97.8 厘米)
介绍（中）	在十八世纪，满清王朝赞助了宫廷艺术的重大复兴，达到了新的纪念规模、技术完成和描述性的复杂性。建立这种新宫廷美学的关键人物是意大利耶稣会士朱塞佩·卡斯蒂廖内。作为生动的自然主义绘图技巧和大型构图的大师，他在欧洲担任壁画家。卡斯蒂廖内帮助创造了一种新的混合风格，将西方现实主义与中国传统的构图和笔触惯例相结合。这幅不朽的卷轴是卡斯蒂廖内预备图纸的独特例子，是卡斯蒂廖内最著名的画作之一的模型，即保存在台北故宫博物院的百马卷轴。这幅画虽然是用画笔而不是笔完成的，但几乎完全以欧洲的方式完成。景观使用西式透视表示，人物通常以显着缩短的视图显示，植被用自发的蔓藤花纹和交叉影线描绘。这幅画的大尺度也暗示了欧洲的影响，就好像卡斯蒂廖内采用了典型的西方画布并延长了它的长度来制作一个建筑楣板。
介绍（英）	During the eighteenth century, the Manchu Qing dynasty sponsored a major revival of courtly arts, which attained a new monumental scale, technical finish, and descriptive intricacy. A key figure in establishing this new court aesthetic was the Italian Jesuit Giuseppe Castiglione. A master of vividly naturalistic draftsmanship and large-scale compositions, in Europe he worked as a muralist. Castiglione helped to create a new, hybrid style that combined Western realism with traditional Chinese conventions of composition and brushwork. This monumental scroll, a unique example of a Castiglione preparatory drawing, is the model for one of Castiglione's most famous paintings, the One Hundred Horses scroll preserved in the National Palace Museum, Taipei. The drawing, although done with a brush rather than a pen, is executed almost exclusively in the European manner. Landscape is represented using Western-style perspective, figures are often shown in dramatically foreshortened views, and vegetation is depicted with spontaneous arabesques and cross-hatching. The large scale of the painting also suggests a European influence, as if Castiglione had taken a typical Western canvas and extended its length to make an architectural frieze.