李白凝视庐山瀑布 - 美国大都会艺术博物馆展品查阅

品名（中）	李白凝视庐山瀑布
品名（英）	Li Bai gazing at the waterfall on Mount Lu
入馆年号	1991年，1991.438.4
策展部门	亚洲艺术（Asian Art）
创作者	Zhong Li【1480 至 1500】【中国人】
创作年份	公元 1480 - 公元 1499
创作地区
分类	绘画（Paintings）
尺寸	图像: 70 x 40 5/8 英寸 (177.8 x 103.2 厘米) 整体 with mounting: 10 ft. 5 1/2 英寸 × 49 5/8 英寸 (318.8 × 126 厘米) 整体 with knobs: 10 ft. 5 1/2 英寸 × 53 1/4 英寸 (318.8 × 135.3 厘米)
介绍（中）	在宋朝院士马援去世近三百年后（约1190年至1225年），一位明代皇帝自豪地宣布钟离为马援。事实上，钟的作品以一种典型的大胆、轻松、近乎轻蔑的方式绘画，代表了马援传统的终结。由于这种大规模的权力、直接性和几乎完全没有微妙之处，马原的传统可能无法进一步发展。钟离是这一家族中最后一批伟大的宫廷画家这幅浓墨重彩的作品是钟离最著名的签名作品，是一幅经典的明代学术风格的图画；它延续了戴进（1388-1462）对南宋学术方式的不朽重塑。室内动态甚至比早期的传统作品更为壮观，从瀑布和高耸的悬崖表面的爆炸能量，到扭曲的松树像弹簧一样从石墙上盘旋而出。坐在花园露台上的人物的姿势也有一种相当帝王的感觉，他像宇宙的主人一样向后倾斜，观察大自然的强大力量，因为它们为他独自进行了一场特殊的表演。
介绍（英）	Nearly three hundred years after the death of the Song academician Ma Yuan (act. ca. 1190–1225), a Ming emperor proudly declared Zhong Li to be Ma Yuan reborn. Indeed, Zhong's works, painted in a typically bold, breezy, almost contemptuous manner, represent the end of the Ma Yuan tradition. Brought to this level of large-scale power, directness, and nearly total absence of subtlety or nuance, the tradition of Ma Yuan perhaps could not evolve further. Zhong Li was among the last great court painters in this lineage. This strongly painted composition, the best known of Zhong Li's signed works, is a classic Ming academic-style picture; it continues Dai Jin's (1388–1462) monumental refiguration of the Southern Song academic manner. The interior dynamics are even more spectacular than in earlier works in the tradition, from the explosive energies of the plunging waterfall and dramatically towering cliff face to the twisted pines coiling out like springs from the stone walls. There is also something quite imperial in the pose of the seated figure on the garden terrace, leaning back like the master of his universe to observe the potent forces of nature as they conduct a special performance for him alone.