罐子 - 美国大都会艺术博物馆展品查阅

品名（中）	罐子
品名（英）	Jar
入馆年号	1975年，1975.268.378
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 90 - 公元 310
创作地区
分类	陶瓷制品（Ceramics）
尺寸	高 10 英寸 (25.4 厘米); 直径 9 英寸 (22.9 厘米)
介绍（中）	在公元前二世纪，来自非洲大陆的人们涌入带来了塑造日本文化的几波外国影响浪潮中的第一次，开创了一个被称为弥生的更先进的文化阶段。当水稻种植和青铜和铁冶金被引入时，可能是通过韩国，绳文的孤立和自给自足的生活让位于一个组织起来进行苛刻农业循环的公共社会。建筑风格和装饰图案反映了中国南部和从九州延伸到台湾的太平洋岛屿的其他影响。弥生文化的社会和审美特征在其陶瓷器皿中得到了生动的体现。这款来自名古屋地区的储物罐的精细铰接形状，其球状形状从小而平坦的底座上升到车轮转动的颈部和嘴巴的喇叭形边缘，其温暖的红色主体的抛光表面增强了其轮廓。绳文容器的不规则、充满活力的形状已被更坚固、更实用的形状所取代，其中对称性是最重要的。
介绍（英）	During the second century B.C., an influx of people from the continent brought the first of several waves of foreign influence that have shaped Japanese culture, initiating a more advanced cultural stage known as Yayoi. When rice cultivation and bronze and iron metallurgy were introduced, probably through Korea, the isolated and self-sufficient life of the Jomon gave way to a communal society organized to carry out the demanding agricultural cycle. Architectural styles and ornamental motifs reflect other influences from southern China and the Pacific islands stretching from Kyushu to Taiwan. The social and aesthetic character of the transformed culture of Yayoi is vividly reflected in its ceramic vessels. The finely articulated shape of this storage jar from the Nagoya area, with its bulbous form rising from a small, flat base to the flaring rim of its wheel-turned neck and mouth, is enhanced by the burnished surface of its warm red body. The irregular, vigorous shapes of Jomon vessels have been replaced by sturdier, more functional ones in which symmetry is of paramount interest.