李白诗歌后的风景 - 美国大都会艺术博物馆展品查阅

品名（中）	李白诗歌后的风景
品名（英）	Landscape after Li Bai's poem
入馆年号	1987年，1987.81a, b
策展部门	亚洲艺术（Asian Art）
创作者	Ike Taiga【1723 至 1776】【日本人】
创作年份	公元 1800 - 公元 1899
创作地区
分类	绘画（Paintings）
尺寸	65 1/2 x 70 1/2 英寸 (166.4 x 179 厘米)
介绍（中）	时间和距离的转移是唐代诗人李neneneba波（701-762）的著名诗歌的主题，这首诗启发了艾克·诺·泰加（Ike no Taiga）的这幅风景并为其增色：清晨，我们离开了被淡色云层包围的白帝<尽管江陵远在千里之外，但我们一天之内就到了<河边悬崖上的长臂猿没有拦住我们。我们的小船已经过了一万座山峰 Taiga流畅而古怪的写作在视觉上呼应了自然形式的特质，突出了山脉和岩石的轮廓，并为一件本质上是装饰性的作品增加了文学维度。这对面板是他成熟风格的一个很好的例子，其中山峰的平面穿插着未上漆的云朵、河流和瀑布。泰加特有的滑稽让那些喜欢细节的人感到高兴，比如小人物和顽皮的长臂猿，就像藤蔓缠绕在树上一样，用指甲而不是刷子泰加在1748年游历日本三大名山后，将这首诗大胆地改写为Sangaku（三峰）。这个屏风最初是一对滑动门，用于日本西部出云附近的Niwase的住宅。
介绍（英）	Shifting time and distance are the subject of the well-known poem by the Tang poet Li Bo (701–762) that inspired and grace this landscape by Ike no Taiga: Early morning, we leave Baidi, surrounded by tinted clouds. Although Jiangling is a thousand li away, we arrive in a day. Gibbons calling from riverside cliffs fail to detain us. Our small boat has already passed ten thousand peaks. Visually echoing the idiosyncrasies of the natural forms, Taiga's fluid and eccentric writing accentuates the outlines of the mountains and rocks and adds a literary dimension to an essentially decorative work. This pair of panels is an excellent example of his mature style, in which planes of mountain peaks are interspersed with the unpainted forms of clouds, river, and waterfalls. Taiga's characteristic drollery delights those who savor details, such as the tiny figures and playful gibbons, done, like the vines entwining the trees, with his fingernails instead of a brush. Taiga signed his bold transcription of the poem as Sangaku (Three Peaks), a sobriquet he assumed in 1748, after a journey to the three famous mountains of Japan. This screen was originally a pair of sliding doors for a residence in Niwase, near Izumo in western Japan.