鹤、松树和竹子 - 美国大都会艺术博物馆展品查阅

品名（中）	鹤、松树和竹子
品名（英）	Cranes, Pines, and Bamboo
入馆年号	1975年，1975.268.62, .63
策展部门	亚洲艺术（Asian Art）
创作者	Ogata Kōrin【1658 至 1716】【日本人】
创作年份	公元 1700 - 公元 1716
创作地区
分类	绘画（Paintings）
尺寸	图像 (Right screen (4-panel)): 65 3/4 英寸 × 8 ft. 5 1/4 英寸 (167 × 257.2 厘米) 图像 (Left screen (6-panel)): 65 3/4 英寸 × 12 ft. 7 1/4 英寸 (167 × 384.2 厘米)
介绍（中）	新月下的仙鹤、松树和竹子等吉祥的长寿象征，唤起了神仙的吉祥境界。这对情侣通过杜鹃花、菊花、牵牛花和牵牛花等花卉图案巧妙地暗示了春天和秋天。屏幕最引人注目的特点是对流的处理。流向观测者的溪流将两片土地分隔开来，并将其结合在一起。如此大胆的构图是Kōrin绘画设计天才的早期展示，其中自然元素被形式化某些未完成的区域表明了这项工作的准备性质：树干上部的污迹，右侧屏幕中树枝的淡淡绿色，以及左侧屏幕下部写的"非常淡的绿色"。这件作品被认为是绪方Kōrin的后代Konishi家族以前拥有的草图和图画集的一部分，后来被重新安装为一对折叠屏风。
介绍（英）	Such propitious symbols of longevity as cranes, pines, and bamboo, shown here beneath a crescent moon, evoke the auspicious realm of the immortals. The pair subtly suggests spring and autumn through such floral motifs as azaleas, chrysanthemums, morning glories, and eulalias. The screens’ most striking feature is the disposition of the stream. Flowing toward the viewer, the stream both separates and unites the two segments of land. Such a bold composition is an early demonstration of Kōrin’s genius for pictorial design, in which natural elements are formalized. Certain unfinished areas suggest the preparatory nature of this work: the smudged-in upper portion of the tree trunk, the faint green of the branches in the right screen, and the notation “very pale green” written on the lower part of the left screen. Thought to have been part of the collection of sketches and drawings formerly owned by the Konishi family, descendants of Ogata Kōrin, this work was later remounted as a pair of folding screens.