景观 - 美国大都会艺术博物馆展品查阅

品名（中）	景观
品名（英）	Landscape
入馆年号	1951年，51.95
策展部门	亚洲艺术（Asian Art）
创作者	Kano Motonobu【1477 至 1559】【日本人】
创作年份	公元 1500 - 公元 1573
创作地区
分类	绘画（Paintings）
尺寸	整体 (painting): 23 3/8 × 42 1/2 英寸 (59.4 × 108 厘米) 整体 with mounting: 60 5/8 × 43 5/16 英寸 (154 × 110 厘米) 整体 with knobs: 60 5/8 × 46 9/16 英寸 (154 × 118.3 厘米)
介绍（中）	这片薄雾笼罩的松林中，隐约可见寺庙的屋顶线条，这是一个固定的主题，标志着一个场景，遥远寺庙的晚钟，来自11世纪中国文人艺术家发展起来的一系列经典风景小品《潇湘八景》。到15世纪中期，它在日本水墨画中具有开创性的重要性，当时阿势贺幕府珍藏的中国画中至少有四个版本的主题。淡水墨的印象主义描绘将这一描绘与木岐的作品联系在一起，木岐是一位活跃于13世纪末的中国僧侣画家，活跃在中国东南部南宋首都杭州周围的寺庙中。这种对风景的诗意再现最初可能是在滑动门板或折叠屏幕上创造内部空间的大型作品的一部分。然而，它的横向构图让人想起了穆奇作品中最初的手卷形式。
介绍（英）	This mist-shrouded pine grove where temple rooflines are faintly visible is a set motif that signals one scene, Evening Bell from the Distant Temple, from a classic series of landscape vignettes, Eight Views of the Xiao and Xiang Rivers, that developed among Chinese literati-artists in the eleventh century. It came to hold seminal importance in Japanese ink painting by the mid-fifteenth century, when no less than four versions of the subject were included among the Chinese paintings treasured by the Ashikaga shoguns. The impressionistic depiction in pale ink wash associates this depiction with the work of Muqi, a Chinese monk-painter active at the end of the thirteenth century in temples around the Southern Song capital at Hangzhou in southeast China. This poetic rendition of that landscape may have originally been part of a large composition that created an interior space on a sliding door panel or a folding screen. Its horizontal composition, however, recalls the original handscroll format of Muqi's work.