《阿诸那与拉贾·塔姆拉德瓦哈的战斗》，Razmnama的对开本 - 美国大都会艺术博物馆展品查阅

品名（中）	《阿诸那与拉贾·塔姆拉德瓦哈的战斗》，Razmnama的对开本
品名（英）	"Arjuna Battles Raja Tamradhvaja", Folio from a Razmnama
入馆年号	1955年，55.121.30
策展部门	伊斯兰艺术（Islamic Art）
创作者	'Abd al-Rahim ibn Muhammad Bairam Khan Khan-i Khanan【1556 至 1627】【印度人】
创作年份	公元 1591 - 公元 1642
创作地区	归属于: 印度（Attributed to: India）
分类	密码（Codices）
尺寸	Page: 高 15 1/2 英寸 (39.3 厘米) 宽 14 9/16 英寸 (37 厘米) Painting: 高 9 1/2 英寸 (24.2 厘米) 宽 9 3/16 英寸 (23.3 厘米)
介绍（中）	阿克巴是第一个委托波斯语翻译梵文作品的莫卧儿人，出于对他统治的印度教臣民的文学和宗教的真正兴趣。后来的皇帝和其他穆斯林贵族都跟随他的脚步。这本对开本来自为阿克巴和贾汉吉尔的军队指挥官阿卜杜勒·拉希姆·伊本·穆罕默德·汗伊·汗南制作的《摩诃婆罗多》（波斯语称为 Razmnama）的副本。阿卜杜勒·拉希姆长期以军事身份为莫卧儿王朝服务，还负责将巴布尔的回忆录从察合泰土耳其语翻译成波斯语，这反映了他的文学兴趣。尽管许多其他与他身份相当的人都有精美的图书馆，但他是为数不多的为他创作书籍的贵族之一，已知有六份手稿来自他的二十位艺术家工作室。像阿克巴一样，他委托复制了《罗摩衍那》和《拉加玛拉》，以及经典的迪赫拉维的卡姆萨和贾米的潘杰甘杰。摩诃婆罗多是考拉瓦斯氏族和潘迪亚氏族之间传奇战争的故事。这里描绘的场景是阿诸那和拉贾塔姆拉德瓦贾战役。阿卜杜勒·拉希姆（Abd al-Rahim）书中的绘画周期与阿克巴（Akbar）的书中相同，构成相框一部分的大块文字反映了当时帝国工作室的做法。
介绍（英）	Akbar was the first of the Mughals to commission Persian translations of Sanskrit works out of a genuine interest in the literature and religion of the Hindu subjects over whom he ruled. Later emperors and other Muslim nobles followed his lead. This folio has come from a copy of the Mahabharata (known in Persian as the Razmnama) made for 'Abd al-Rahim ibn Muhammad Khan-i Khanan, army commander to Akbar and then Jahangir. Long in the service of the Mughals in a military capacity, 'Abd al-Rahim was also placed in charge of translating Babur's memoirs into Persian from Chaghatay Turkish, which reflects his literary interests. Though many others of his status had fine libraries, he was one of the few nobles who had books created for him, and six manuscripts are known to have come from his workshop of twenty artists. Like Akbar, he commissioned copies of the Ramayana and a Ragamala as well as the classic Khamsa of Dihlavi and the Panj Ganj of Jami. The Mahabharata is the story of the legendary war between the clans of the Kauravas and the Pandyas. The scene depicted here is the Battle of Arjuna and Raja Tamradhvaja. The painting cycle in 'Abd al-Rahim's book is the same as in Akbar's, and the large blocks of text that form part of the picture frame reflect the practice of the imperial atelier at that time.