商山四位灰胡子的回归宫廷（左）；苏轼参观风水洞（右） - 美国大都会艺术博物馆展品查阅

品名（中）	商山四位灰胡子的回归宫廷（左）；苏轼参观风水洞（右）
品名（英）	The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right
入馆年号	1975年，1975.268.46, .47
策展部门	亚洲艺术（Asian Art）
创作者	Kano Mitsunobu 狩野光信【1565 至 1608】【日本人】
创作年份	公元 1571 - 公元 1599
创作地区
分类	绘画（Paintings）
尺寸	图像 (each screen): 68 3/4 英寸 x 12 ft. 4 7/8 英寸 (174.6 x 378.1 厘米)
介绍（中）	右屏的主题是未来的汉惠帝（公元前194–188年在位）。虽然他是王储，但他父亲想要从一个受宠的妃子那里生一个儿子，这威胁到了他合法的王位继承权。但是，四位前官员史无前例地重返朝廷，他们之前放弃了自己的职位，隐居在商山附近的乡村，这确保了回的继承权。他们的忠诚给皇帝留下了深刻的印象，以至于他撤回了他的非法求婚左屏为著名学者、政治家苏轼（苏东坡，1037–1101）的一首诗。1073年，苏从杭州到新城，在风水洞与青年诗人李泌见面，两人一起赏梅作诗后，苏在洞壁题诗。画中，老人在一个仆人的陪同下穿过一座人行天桥，而李则坐在峡谷上方的一个亭子里等待他的到来。细长的树木和清脆细腻的岩石轮廓让人想起了Kano Eitoku的儿子和学生Kano Mitsunobu（1543-1590）的作品。
介绍（英）	The subject of the right screen is the future Emperor Hui (reigned 194–188 B.C.) of the Han dynasty. Although the crown prince, his rightful ascendance to the throne was threatened by his father’s desire to install a son from a favored concubine. But the unprecedented return to court of four former officials who had previously abandoned their positions and secluded themselves in the countryside near Mount Shang assured Hui’s succession. Their loyalty so impressed the emperor that he withdrew his illegitimate proposal. The left screen illustrates a poem by the renowned scholar and statesman Su Shi (Su Dongpo, 1037–1101). In 1073, as Su was traveling from Hangzhou to Xincheng, he stopped at the Wind and Water Cave to meet the young poet Li Bi. After they viewed plum blossoms and composed poetry together, Su inscribed poems on the walls of the cave. In the painting, the older man crosses a footbridge accompanied by a servant, while Li awaits his arrival seated in a pavilion high above a ravine. The slender trees and the crisp, delicate outlines of the rocks are reminiscent of works by Kano Mitsunobu, son and pupil of Kano Eitoku (1543–1590).