杂项书画 - 美国大都会艺术博物馆展品查阅

品名（中）	杂项书画
品名（英）	Miscellaneous Paintings and Calligraphy
入馆年号	1975年，1975.268.72, .73
策展部门	亚洲艺术（Asian Art）
创作者	Nagasawa Rosetsu 長澤蘆雪【1754 至 1799】【日本人】
创作年份	公元 1785
创作地区
分类	绘画（Paintings）
尺寸	图像 (each screen): 62 3/8 英寸 x 11 ft. 7 5/8 英寸 (158.4 x 354.6 厘米)
介绍（中）	绘画和诗歌长期以来一直被视为东亚文化传统中的姐妹艺术。画家们在诗歌中寻找灵感，而诗人们则将他们的作品刻在绘画上。例如，在这里，独立艺术家柔术的水墨画作为单独的纸张附在屏幕上，并在右侧屏幕上由李攀龙（1514–1570）和王世贞（1526–1590）创作的两首明代经典诗歌以及门浩然（约691–740）的一首唐代诗歌补充。左边的屏幕上是皮日修（834–883）和高适（约704–765）的两首额外的唐诗，以及僧侣书法家诗信·Sōgin的一首歌。最后一块贴在牡丹画旁边的面板上有一个周期性的日期，表明这幅书法刻在1785年的第二个月。这幅作品由罗松早期的书法风格签名，是现存唯一一幅可以追溯到这位艺术家早期职业生涯的不朽作品。书法家士信Sōgin（或S艴kon）是京都弥新寺Hant \33396 in次堂的第八任住持，属于箱根Ekaku家族。他在禅宗和书法方面训练了丸山京，作为回报，他向这位伟大的艺术家学习了绘画。这些屏风上的书法是在他去世前一年刻的。
介绍（英）	Painting and poetry have long been revered as sister arts in the East Asian cultural tradition. Painters have sought inspiration in poetry, while poets have inscribed their work on paintings. For instance, here ink paintings by the independent artist Rosetsu were attached as separate sheets to screens and complemented on the right screen by two classic Ming-dynasty poems composed by Li Panlong (1514–1570) and Wang Shizhen (1526–1590), along with a Tang-dynasty poem by Men Haoran (ca. 691–740). On the left screen are two additional Tang poems by Pi Rixiu (834–883), and Gao Shi (ca. 704–765), and a colophon by the monk-calligrapher Shishin Sōgin. The last panel, pasted next to the painting of peonies, has a cyclical date indicating the calligraphy was inscribed in the second month of 1785. Signed by Rosetsu in his early calligraphic style, this pair is the only extant work of a monumental scale dating from the artist’s early career. The calligrapher Shishin Sōgin (or Sōkon) was the eighth abbot of Hantō’in subtemple of Myōshinji, Kyoto, in the lineage of Hakuin Ekaku. He trained Maruyama Ōkyo in Zen and calligraphy, and in return learned painting from the great artist. The calligraphy on these screens was inscribed a year before he died.