Jion Daishi（贵姬）的肖像 - 美国大都会艺术博物馆展品查阅

品名（中）	Jion Daishi（贵姬）的肖像
品名（英）	Portrait of Jion Daishi (Guiji)
入馆年号	1950年，50.137
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1300 - 公元 1333
创作地区
分类	绘画（Paintings）
尺寸	图像: 59 1/4 x 30 1/4 英寸 (150.5 x 76.8 厘米) 整体 with mounting: 99 x 38 1/4 英寸 (251.5 x 97.2 厘米) 整体 with knobs: 100 3/4 x 41 英寸 (255.9 x 104.1 厘米)
介绍（中）	归济（632–682）是中国唐朝的一名佛教僧侣，他将霍斯派的教义传给了日本（在那里他被称为吉翁大士），并翻译了佛经。他是玄奘（602–664）弟子中最有成就的一位，玄奘的画像在本次展览中展出。寺庙里悬挂着受人尊敬的僧侣的肖像，并将信徒与严谨的思想和模范行为的遗产联系起来。宗教谱系强化了这些机构的合法性。同样的意识形态影响了日本的艺术。这幅卷轴改编自奈良屋久寺祭恩仪式中使用的坐姿肖像。源自唐朝传统的古风线条风格增强了人物的强度。纪念碑性和人性的结合是宗教肖像画的经典表现，其中传达性格比实现身体相似更重要。
介绍（英）	Guiji (632–682), a Chinese Buddhist monk of the Tang dynasty, transmitted the Hossō sect teachings to Japan (where he is known as Jion Daishi) and translated Buddhist scripture. He was the most accomplished of the disciples of Xuanzang (602–664), whose portrait is displayed in this exhibition. Portraits of venerated monks were hung in temples and connected followers to a heritage of rigorous thought and exemplary deeds. Religious genealogy reinforced the legitimacy of the institutions. The same ideology informed the arts in Japan. This scroll is an adaptation of a seated portrait used in the Jion-e memorial rites at Yakushiji temple in Nara. The archaic line style, derived from Tang dynasty conventions, enhances the intensity of the figure. The combination of monumentality and humanity is a classic expression of religious portraiture, in which conveying character is more important than achieving a physical likeness.