Ryōgoku桥的暮光之月 - 美国大都会艺术博物馆展品查阅

品名（中）	Ryōgoku桥的暮光之月
品名（英）	Twilight Moon at Ryōgoku Bridge
入馆年号	1922年，JP1312
策展部门	亚洲艺术（Asian Art）
创作者	Utagawa Hiroshige【1797 至 1858】【日本人】
创作年份	公元 1797 - 公元 1858
创作地区
分类	印刷品（Prints）
尺寸	高 9 5/8 英寸 (24.4 厘米); 宽 15 3/16 英寸 (38.6 厘米)
介绍（中）	这里描绘的龙国桥是江户街景观中最重要的地标之一。这座桥横跨江户最宽的河流墨田河，是首都最大、最美丽的桥梁之一。广重专注于支撑桥梁的支柱系统的动态形式，这是现代江户技术进步的象征。江户现代性的另一个症状是中产阶级休闲划船的发展。当乘客从像这里看到的有盖缆车（屋形船）上欣赏隅田川时，桥墩会将景观切割成意想不到的形状。广重在这里描绘了这样一个场景;龙国桥基础的双x形式引人注目地叠加在满月和盘旋在水面上的曲折云层的背景下。虽然广重使用笔名"Ichiyūsai"作为他的签名表明了他职业生涯的早期，但他成熟风格典型的大胆自信设计已经可以从"东都著名景点"系列的这个场景中发现。
介绍（英）	The Ryōgoku Bridge depicted here was one of the most important landmarks in the Edo townscapes. Spanning Edo's widest river, the Sumida, this bridge was one of the largest and most beautiful bridges in the capital. Hiroshige focuses on the dynamic forms of the strut system supporting the bridge, a symbol of modern Edo technological advances. Also symptomatic of Edo modernity was the development of recreational boating for the middle class. While the passengers enjoyed the Sumida River from covered gondolas (yakatabune) such as those seen here, the bridge piers would cut the landscape into unexpected shapes. Hiroshige depicts just such a scene here; the double-x form of the Ryōgoku bridge foundation is strikingly superimposed on a backdrop of a full moon and zigzagging clouds hovering over the watersurface. Although Hiroshige's use of the pseudonym "Ichiyūsai" as his signature indicates a date fairly early in his career, the bold confident design typical of his mature style can already be detected in this scene from the series "Famous Sights of the Eastern Capital."