老鹰与松树和山茶；柳树和山茶的小鸟 - 美国大都会艺术博物馆展品查阅

品名（中）	老鹰与松树和山茶；柳树和山茶的小鸟
品名（英）	Hawks with Pine Trees and Camellias; Small Birds with Willows and Camellias
入馆年号	1929年，29.100.491, .492
策展部门	亚洲艺术（Asian Art）
创作者	Mitani Tōshuku【1577 至 1654】【日本人】
创作年份	公元 1600 - 公元 1633
创作地区
分类	绘画（Paintings）
尺寸	图像 (each): 58 7/16 英寸 x 10 ft. 8 13/16 英寸 (148.5 x 327.2 厘米)
介绍（中）	两棵令人印象深刻的树——一棵纤细柔软的柳树和一棵粗壮的松树——的简单对比主宰了这幅作品。艺术家巧妙地利用这两棵树来唤起它们的象征性联想：纯洁（松树）和活力（柳树）。在这种帝王般的环境中，具有讽刺意味的是，食肉鹰与花朵并列，暗示着自然秩序的冷漠。鹰是国王的象征，是内战时期日本军阀最喜欢的主题最近的学术研究将这些屏幕归功于Unkoku学校的成员Mitani Tōshuku。由蒙山时代的大师Unkoku Tōgan（1547-1618）创立的Unkoku学校在日本南部享有长期的赞助。虽然他没有使用Unkoku这个名字，但Mitani Tōshuku是学校的杰出成员。松树茂密的树叶，树枝上强烈的明暗对照，鹰身上的深色阴影，以及鸟对雏鸟的保护姿态，都非常像一幅挂着Tōshuku印章的画。
介绍（英）	The simple contrast of two impressive trees—a thin, supple willow and a mighty pine—dominates this composition. The artist has skillfully utilized the two trees to evoke their symbolic associations: purity (the pine) and vitality (the willow). In this regal environment, the predatory hawks, ironically juxtaposed with the blossoms, suggest the indifference of the natural order. The hawk, a symbol of kings, was a favorite theme of Japanese warlords during the era of civil wars. Recent scholarship has helped attribute these screens to Mitani Tōshuku, a member of the Unkoku school. Founded by Unkoku Tōgan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed longlasting patronage in southern Japan. Although he did not use the Unkoku name, Mitani Tōshuku was a prominent member of the school. The dense foliage of the pine tree, the strong chiaroscuro defining its branches, the dark shadings on the hawks, and the protective pose of the bird toward its chicks closely resemble a painting that bears Tōshuku’s seals.