侧椅 - 美国大都会艺术博物馆展品查阅

品名（中）	侧椅
品名（英）	Side chair
入馆年号	1996年，1996.366
策展部门	美国之翼（The American Wing）
创作者	Charles-Honoré Lannuier【1779 至 1819】【美国人】
创作年份	公元 1815 - 公元 1819
创作地区	制造于: 美国, 纽约, 纽约（Made in: United States, New York, New York）
分类
尺寸	33 3/8 x 18 x 19 1/4 英寸 (84.8 x 45.7 x 48.9 厘米)
介绍（中）	这把罕见而美丽的纽约七弦椅版本是巴尔的摩商人詹姆斯·博斯利（James Bosley）曾经拥有的大型套装的一部分，坚定地归功于法国出生和训练有素的橱柜制造商Lannuier，他于1803年至1819年在纽约市工作。与通常被认为是伟大的苏格兰大师级工匠邓肯·菲夫（Duncan Phyfe）的例子相比，Lannuier的七弦琴椅在镀金黄铜中装饰得更加丰富，并且具有更接近法兰西帝国先例的硬边直线质量。但它不是法国设计的奴隶副本。这把椅子是一个新鲜和创新的主题变体，将兰努耶高度精致的情感与纽约白话融为一体。在他相对较短但辉煌的职业生涯中，兰努耶将自己塑造成杰出的菲夫的法国替代品，后者更多地以英国摄政风格工作。购买这把椅子是为了补充和对比博物馆在Phyfe的影响下制作的纽约家具的杰出收藏。
介绍（英）	This rare and beautiful version of the New York lyre-back chair, part of a large set once owned by the Baltimore merchant James Bosley, is firmly attributed to the French-born and -trained cabinetmaker Lannuier, who worked in New York City from 1803 until 1819. Compared with examples often attributed to the great Scottish master craftsman Duncan Phyfe, which survive in far greater number, Lannuier's lyre-back chair is more richly ornamented in gilded brass and has a hard-edged rectilinear quality closer to French Empire precedents. But it is not a slavish copy of a French design. The chair is a fresh and innovative variation on a theme that melds Lannuier's highly refined sensibilities with the New York vernacular. Throughout his relatively short but brilliant career in the city, Lannuier cast himself as the French alternative to the illustrious Phyfe, who worked more in the English Regency style. This chair was acquired to serve as both a complement and a counterpoint to the Museum's preeminent collection of New York furniture made under Phyfe's influence.