渔夫的快乐 - 美国大都会艺术博物馆展品查阅

品名（中）	渔夫的快乐
品名（英）	Joys of the Fisherman
入馆年号	1982年，1982.2.3
策展部门	亚洲艺术（Asian Art）
创作者	Wang Fu【1362 至 1416】【中国人】
创作年份	公元 1400 - 公元 1420
创作地区
分类	绘画（Paintings）
尺寸	图像: 10 5/8 x 22 ft. 7 1/8 英寸 (27 x 688.7 厘米) 整体 with mounting: 10 15/16 英寸 x 38 ft. 3 11/16 英寸 (27.8 x 1167.6 厘米)
介绍（中）	小酒馆墙上刻着一幅十二世纪的对联，描绘了渔夫和学者官员的生活：对与错不是男人钓鱼的地方; 荣耀和耻辱狗骑着他的马的官员。对于生活在元末和明初动荡年代的画家来说，渔夫的主题象征着他们摆脱纷争的世界的完美逃脱。王府是倪赞（1306-1374）的乡亲，在荒凉的山西省大同北部哨所流亡二十年后，于1401年返回无锡;和倪赞一样，他也曾在故乡流浪。在这幅长卷中，王祺呼应了吴镇（1280-1354）对渔夫主题的处理。在描述现实主义和书法抽象之间徘徊，王的画体现了明清文人艺术家如何通过宋元大师的笔法表达自己。
介绍（英）	A twelfth-century couplet inscribed on the wall of a tavern characterized the lives of the fisherman and the scholar-official: Right and wrong reach not where men fish; Glory and disgrace dog the official riding his horse. To painters living in the tumultuous days of the late Yuan and early Ming dynasties, the theme of the fisherman symbolized a perfect escape from their strife-torn world. Wang Fu, a fellow townsman of Ni Zan (1306–1374), returned to Wuxi in 1401, after twenty years of exile at the desolate northern outpost of Datong, Shanxi Province; like Ni Zan, he had been a wanderer in his native land. In this long scroll Wang echoes Wu Zhen's (1280–1354) treatment of the fisherman theme. Poised between descriptive realism and calligraphic abstraction, Wang's painting exemplifies how Ming- and Qing-dynasty scholar-artists expressed themselves through the brush idioms of the Song and Yuan masters.