渔民的乡村度假 - 美国大都会艺术博物馆展品查阅

品名（中）	渔民的乡村度假
品名（英）	Rustic retreat among fishermen
入馆年号	1981年，1981.285.10
策展部门	亚洲艺术（Asian Art）
创作者	Zhou Wenjing【1430 至 1463】
创作年份	公元 1430 - 公元 1499
创作地区
分类	绘画（Paintings）
尺寸	图像: 35 15/16 x 16 1/2 英寸 (91.3 x 41.9 厘米) 整体 with mounting: 79 1/2 x 21 5/16 英寸 (201.9 x 54.1 厘米) 整体 with knobs: 79 1/2 x 23 1/8 英寸 (201.9 x 58.7 厘米)
介绍（中）	周文静曾在北京皇宫担任宫廷画家。当他作为占卜师被召上法庭并在宣德皇帝（1426-35年在位）赞助的绘画比赛中获得一等奖时，他的艺术能力就为人所知。1463年，周仍然是一名活跃的宫廷画家。这幅小卷轴详细阐述了明代的记述，描述了周文静如何遵循南宋大师夏桂（约1190–1225年）和元代文人画家吴镇（1280–1354年）的风格。这幅画很大比例的空白，亲密的焦点，以及丝绸上矿物色的使用，让人想起了宋学院高度选择性的"一隅"风景。然而，周有意天真地描绘人物，以及书法处理前景的草和树叶图案，都源于元末的文人画。这幅画可能装饰了宫殿生活区的一块小嵌板或屏风。
介绍（英）	Zhou Wenjing served as a court painter in the Beijing imperial palace. His artistic abilities became known when he was summoned to court as a soothsayer and won first prize in a painting competition sponsored by the Xuande emperor (r. 1426–35). Zhou was still active as a court painter in 1463. This small hanging scroll elucidates Ming accounts describing how Zhou Wenjing followed the styles of both the Southern Song Academy master Xia Gui (act. ca. 1190–1225) and the Yuan scholar-painter Wu Zhen (1280–1354). The painting's large proportion of empty space, the intimate focus, and the use of mineral colors on silk recall the highly selective "one-corner" landscapes of the Song Academy. Zhou's intentionally naive rendering of figures and calligraphic treatment of foreground grasses and foliage patterning, however, are derived from scholar paintings of the late Yuan. This painting probably decorated a small panel or screen in the living quarters of the palace.