四季酒店 - 美国大都会艺术博物馆展品查阅

品名（中）	四季酒店
品名（英）	The Four Seasons
入馆年号	1989年，1989.363.45
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1400 - 公元 1499
创作地区
分类	绘画（Paintings）
尺寸	图像: 13 13/16 英寸 x 18 ft. 8 3/8 英寸 (35.1 x 569.9 厘米) 整体 with mounting: 16 5/16 英寸 x 35 ft. 1/4 英寸 (41.4 x 1067.4 厘米)
介绍（中）	这幅画的主题是从春天到冬天的季节变化。卷轴以锯齿状的山峰和薄雾弥漫的山谷开始：树木上点缀着新叶芽和花朵的娇艳红色；汹涌的山间溪流暗示着初春的雪正在融化。接下来，这幅作品展现了一个被夏季暴雨袭击的湖泊的广阔前景。秋天，天空晴朗，是登山的季节，视角转向高山，可以看到远处的山峰。在最后一幕中，冬日的天空和水在白雪覆盖的山脉的映衬下显得黑暗，那里只有松树和竹子保持着绿色这幅山水融合了兼收并蓄的南北宋构图元素和笔墨技法，属于明初保守派所推崇的宋代风格的复兴。这种风格在14世纪被唐棣（约1296-1364年）等艺术家所保持，在15世纪初，在戴进、周文静和李载等艺术家的手中获得了新的突出地位。
介绍（英）	The theme of this painting is the progress of the seasons from spring to winter. The scroll begins with a scene of jagged peaks and mist-filled valleys: trees are tinged with the delicate red of new leaf buds and blossoms; turbulent mountain streams suggest the melting snow of early spring. The composition next opens into a broad vista of a lake whipped by a summer rainstorm. Autumn, with its clear skies, is a time for climbing, and the perspective shifts to high mountains with a view across distant pinnacles. In the final scene, wintry sky and water appear dark against snow-covered mountains, where only the pine and bamboo remain green. In its combination of eclectic Northern and Southern Song compositional elements and brush techniques, this landscape belongs to the revival of Song styles patronized by the conservative early Ming court. Kept alive during the fourteenth century by such artists as Tang Di (ca. 1296–1364), this style gained new prominence during the early fifteenth century in the hands of such artists as Dai Jin, Zhou Wenjing, and Li Zai.