秋天树林里沉默的渔夫 - 美国大都会艺术博物馆展品查阅

品名（中）	秋天树林里沉默的渔夫
品名（英）	Silent fisherman in an autumn wood
入馆年号	1989年，1989.363.46
策展部门	亚洲艺术（Asian Art）
创作者	Shen Zhou【1427 至 1509】【中国人】
创作年份	公元 1475
创作地区
分类	绘画（Paintings）
尺寸	图像: 60 x 24 3/4 英寸 (152.4 x 62.9 厘米) 整体 with mounting: 107 x 32 1/8 英寸 (271.8 x 81.6 厘米) 整体 with knobs: 107 x 35 1/4 英寸 (271.8 x 89.5 厘米)
介绍（中）	沈周出生于一个文人和艺术家的家庭，他选择在家里过着平静的退休生活，追求文人艺术家的理想，将书画作为一种自我修养的形式。虽然他直到将近四十岁才开始绘画，但后来他被誉为吴派之父沈周四十八岁时创作的《秋林中的沉默的钓鱼人》是一部相对较早的作品。然而，它展现了艺术家成熟风格的那种大胆的笔触和构图。为了消除任何背景，使前景树的屏幕充满画面，沈周最大限度地发挥了他钝而有力的笔触所产生的表面图案的影响根据沈周的题词，这幅画是为两位前来参观的老朋友父子所作。在他的绘画和配诗中，沈都用渔夫的形象来象征学术退休的快乐。为了强调这种快乐是一种精神状态，沈的垂钓者穿着学者的长袍，坐在豹皮上，拿着一根既没有钩也没有线的竿。
介绍（英）	Born to a family of scholars and artists, Shen Zhou chose to lead a life of quiet retirement at home, pursuing the scholar-artist ideal of practicing painting and calligraphy as a form of self-cultivation. Although he did not turn to painting until he was nearly forty, he was later heralded as the father of the Wu school. Painted when Shen Zhou was forty-eight, Silent Angler in an Autumn Wood is a relatively early work. Nevertheless, it exhibits the kind of bold brushwork and composition that typify the artist's mature style. Eliminating any background so that the screen of foreground trees fills the picture plane, Shen Zhou maximized the impact of the surface patterns made by his blunt, powerful brushstrokes. According to Shen Zhou's inscription, the painting was done for two old friends, father and son, who had come for a visit. In both his painting and the accompanying poem, Shen used the image of the fisherman to symbolize the pleasures of scholarly retirement. To emphasize that such pleasures are a state of mind, Shen's angler, dressed in a scholar's robe and seated on a leopard skin, holds a pole that has neither hook nor line.