第九届双音乐节上的诗 - 美国大都会艺术博物馆展品查阅

品名（中）	第九届双音乐节上的诗
品名（英）	Poem on the Double Ninth ｆestival
入馆年号	1913年，13.100.50
策展部门	亚洲艺术（Asian Art）
创作者	Chen Chun【1483 至 1544】【中国人】
创作年份	公元 1500 - 公元 1544
创作地区
分类	书法（Calligraphy）
尺寸	图像: 6 3/4 x 20 1/4 英寸 (17.1 x 51.4 厘米)
介绍（中）	陈淳是明代最有影响力的花卉画家之一，也是一位天才的书法家，擅长行书和草书。在保持对柱状间距和画笔自然波动的显著控制的同时，他的写作散发出巨大的能量。在内化了朱允明（1461–1527）和文征明（1470–1559）自律的风格特征后，他培养了一种刻意的随意性，避免直接提及早期的大师。在这里，他有节奏的笔触呼应了这首诗的欢快情绪：今年的重阳节非常明亮 <遗憾的是，隐士不在山上我的白发只适合被我破旧的帽子遮住<黄色的花朵仍然愿意照亮我枯萎的脸远方朋友的思念增加了我的悲伤但我很高兴附近的渔民仍然来来往往<闲暇时，我拿起一杯为这个季节干杯<希望这些快乐的时刻过得慢一点（翻译自曾裕浩埃克）
介绍（英）	One of the most influential flower painters of the Ming dynasty, Chen Chun was also a gifted calligrapher specializing in free-flowing running and cursive scripts. While maintaining remarkable control of columnar spacing and the brush's natural fluctuation, his writing exudes great energy. Having internalized the disciplined stylistic features of both Zhu Yunming (1461–1527) and Wen Zhengming (1470–1559), he cultivated a deliberate casualness that avoided pointed references to earlier masters. Here, his rhythmic brushstrokes echo the cheerful mood of the poem: This year the double ninth is exceedingly bright and clear. Regrettably, the hermit is not in the mountain. My white hair is only good for being covered by my tattered hat; The yellow flowers are still willing to light my withered countenance. Thoughts of distant friends increase my sorrow; But I rejoice that nearby fishermen still come and go. At leisure, I take up a cup to toast the season; Would that these happy moments pass more slowly! (trans. adapted from Tseng Yu-ho Ecke)