麦当娜与童心 - 美国大都会艺术博物馆展品查阅

品名（中）	麦当娜与童心
品名（英）	Madonna and Child Enthroned
入馆年号	1975年，1975.1.59
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Bernardo Daddi【1290 至 1348】【意大利人】
创作年份	公元 1333 - 公元 1341
创作地区
分类	绘画（Paintings）
尺寸	10 1/8 x 3 3/4 英寸 (25.7 x 9.5 厘米)
介绍（中）	圣母坐在一个宏伟的宝座上，圣婴站在她的腿上，这个来自十四世纪贝尔纳多·达迪工作室的小灵修面板。虽然无法识别特定艺术家的手，但这幅图像是在佛罗伦萨大师工作室制作的流行类型的变体（密切比较是那不勒斯国家卡波迪蒙特美术馆的麦当娜和孩子与四圣徒）。这幅面板很可能是双联画或三联画的一部分，其中还包含圣徒、天使或其他虔诚场景的图像，例如十字架。它的小尺寸将使所有者能够相对轻松地运输它。圣母和圣婴登基是十四世纪灵修对象的常见主题。这个例子的特点是交换温柔的手势——圣母抓住他衣服的面料将圣婴拉向她。他伸手抚摸她的脸颊。他们的眼神交流和甜蜜的表情暗示了一种亲密的家庭关系。宽阔的宝座上覆盖着布料，布料被涂成类似刺绣的丝绸纺织品，唤起了天界的辉煌。山墙装饰着顶端，让人想起那个时期的教堂建筑。
介绍（英）	The Virgin sits on a grand throne with the Christ Child standing on her lap in this small devotional panel from the fourteenth-century workshop of Bernardo Daddi. While the hand of a specific artist cannot be identified, this image is a variant of a popular type that was produced in the Florentine master’s workshop (a close comparison is the Madonna and Child with Four Saints in the Pinacoteca Nazionale di Capodimonte in Naples). It is likely that this panel was part of a diptych or triptych that would have also featured images of saints, angels, or other devotional scenes, such as the Crucifixion. Its small size would have allowed the owner to transport it with relative ease. The Madonna and Child Enthroned was a common subject for devotional objects in the fourteenth century. This example features an exchange of tender gestures – the Virgin pulls the Christ Child toward her by clutching the fabric of his garment. He reaches up to caress her cheek. Their eye contact and sweet expressions suggest an intimate, familial relationship. The expansive throne is draped with cloth that is painted to resemble embroidered silk textile and evoke the splendor of the heavenly realm. Ornamented with finials, the gable recalls church architecture of the period.