福音派圣徒约翰和抹大拉的玛丽 - 美国大都会艺术博物馆展品查阅

品名（中）	福音派圣徒约翰和抹大拉的玛丽
品名（英）	Saints John the Evangelist and Mary Magdalene
入馆年号	1975年，1975.1.102
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Italian, Neapolitan Follower of Giotto
创作年份	公元 1330 - 公元 1340
创作地区
分类	绘画（Paintings）
尺寸	23 x 15 5/8 英寸 (58.4 x 39.7 厘米)
介绍（中）	这幅画与描绘圣母和死基督的面板（伦敦国家美术馆）一起，最初形成了一幅双联画（两块面板铰接在一起，可以打开和关闭）。这幅画展示了西方艺术的关键人物佛罗伦萨大师乔托1328年至1332年在那不勒斯活动期间对那不勒斯的影响。这幅双联画很可能是乔托在那不勒斯工作室的一名成员画的，他活跃在圣基亚拉教堂的壁画上。乔托的那不勒斯作坊可能在1333年回到佛罗伦萨后继续运作。突出在绘画框架之外的人物的纪念碑性，以及他们表达悲伤的手势，强化了这幅作品的戏剧性，这幅作品可能是为了私人奉献。这幅双联画可能是由那不勒斯女王桑西娅（1286-1345）委托创作的，她是安茹国王罗伯特的妻子，特别忠于抹大拉的玛丽，也是圣基亚拉的创始人。
介绍（英）	This painting, together with a panel portraying the Virgin and the Dead Christ (National Gallery, London), originally formed a diptych (two panels hinged together that could be opened and closed). The painting illustrates the formative influence that the Florentine master Giotto, a pivotal figure in Western art, had in Naples during his activity there from 1328 to 1332. The diptych was likely painted by a member of Giotto’s workshop in Naples, who was active on the frescoes in the Church of Santa Chiara. Giotto's Neapolitan workshop may have continued to operate after he returned to Florence in 1333. The monumentality of the figures, which protrude outside the painted framework, together with their expressive gestures of grief, intensify the dramatic quality of this work, which was probably made for private devotion. The diptych may have been commissioned by Queen Sancia of Naples (1286-1345), the wife of King Robert of Anjou, who was particularly devoted to Mary Magdalene and was the founder of Santa Chiara.