处女与圣婴 - 美国大都会艺术博物馆展品查阅

品名（中）	处女与圣婴
品名（英）	Virgin and Child
入馆年号	1975年，1975.1.111
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Hans Memling【1465 至 1494】【荷兰人】
创作年份	公元 1484 - 公元 1490
创作地区
分类	绘画（Paintings）
尺寸	15 1/16 x 11 1/8 英寸 (38.3 x 28.3 厘米); painted surface 12 3/8 x 7 15/16 (31.5 x 20.2 厘米)
介绍（中）	婴儿基督在母亲的怀里休息，左手小心翼翼地举起一朵鲜花。玛丽穿着一件镶有宝石边的蓝色长袍和一件红色斗篷，平静地凝视着她的儿子。这对雕像由一个虚构的石拱门构成，其位置仿佛直接出现在地毯覆盖的窗台后面。这种光圈装置通常被15世纪的荷兰画家使用，如汉斯·梅姆林，以建立观众和绘画图像之间的联系感。雷曼图片的构图融合了梅林的《圣母与圣子》画作中的主题，尤其是现在里斯本的一幅画作，也与FVB大师对同一主题的雕刻有关。然而，尽管雷曼兄弟的《圣母与子》依赖于记忆原型，但它很可能是由一位十六世纪早期的艺术家以大师的风格创作的。
介绍（英）	The infant Christ, resting in his mother’s arms, delicately raises a blossom in his left hand. Mary, dressed in a gem-edged blue robe with a red mantle, gazes serenely down at her son. The pair, framed by a fictive stone archway, are positioned as if to appear directly behind a carpet-covered ledge. This aperture device was commonly used by fifteenth-century Netherlandish painters like Hans Memling to establish a sense of connection between the viewer and the painted image. The composition of the Lehman picture is an amalgam of motifs found in Virgin and Child paintings by Memling, especially a painting now in Lisbon, and is also related to an engraving of the same subject by the Master FVB. However, despite its reliance on Memling prototypes, the Lehman Virgin and Child was probably created by an early sixteenth-century artist working in the master’s style.