Jas de Bouffan附近的树木和房屋 - 美国大都会艺术博物馆展品查阅

品名（中）	Jas de Bouffan附近的树木和房屋
品名（英）	Trees and Houses Near the Jas de Bouffan
入馆年号	1975年，1975.1.160
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Paul Cézanne【1839 至 1906】【法国人】
创作年份	公元 1885 - 公元 1886
创作地区
分类	绘画（Paintings）
尺寸	26 3/4 x 36 1/4 英寸 (67.9 x 92.1 厘米)
介绍（中）	保罗·塞尚因其对二十世纪现代主义兴起的重要贡献而被人们铭记。他的绘画引入了一种新颖的形式、视角和结构的视觉语言，挑战了画面形式安排中古老的惯例。"Jas de Bouffan附近的树木和房屋"是直接从自然中绘制的"sur le motif"，其视图取自普罗旺斯艾克斯附近的塞尚家族住宅Jas de Bouffan以南。塞尚以非常节约的方式对待他的主题：他的画笔痕迹纤细而清晰，黄色和绿色的调色板相对简单，画布的各个区域都没有褶皱，将地面暴露在读作颜色的补丁中。塞尚一生都在处理自然界中的空间关系，无论是从生活中还是从记忆中工作。在这里，裸露的、衰减的树木在隐性颜色的区域上看起来像一条饰带，就像水彩而不是油画是媒介一样。
介绍（英）	Paul Cézanne is rightly remembered for his important contribution to the rise of Modernism in the twentieth century. His paintings introduced a novel visual language of form, perspective, and structure, challenging age-old conventions in the formal arrangement of a picture. "Trees and Houses near the Jas de Bouffan" was painted "sur le motif," directly from nature, its view taken south of the Jas de Bouffan, the Cézanne family residence near Aix-en-Provence. Cézanne treats his subject with great economy: his brush marks are lean and articulated, his palette of yellows and greens is relatively simple, and areas of the canvas are unbrushed, exposing ground in patches that read as color. All his life, Cézanne played with spatial relationships in nature, whether working from life or from memory. Here the bare, attenuated trees appear as a frieze against the zones of recessive color, applied as though watercolor, not oil, were the medium.