风景中的人物和狗 - 美国大都会艺术博物馆展品查阅

品名（中）	风景中的人物和狗
品名（英）	Figures and a Dog in a Landscape
入馆年号	1975年，1975.1.242
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Narcisse-Virgile Diaz de la Peña【1808 至 1876】【法国人】
创作年份	公元 1852
创作地区
分类	绘画（Paintings）
尺寸	17 1/4 x 11 3/4 英寸 (43.8 x 29.8 厘米)
介绍（中）	在这幅风景的中心是一组人物，以金字塔的形式排列，这是从文艺复兴时期的神圣家族原型中借来的。这名男子是这种人物排列的最高点，当他向左倾斜并从坐着的女人的肩膀后面凝视时，他模仿了圣经中约瑟夫的形象。他的态度和朴素的十九世纪农民服装与女人和孩子形成了鲜明的对比，他们穿着更加精致，头发柔软，目光凝重，神情沮丧。这两个女性形象看着坐在水池前最左边前景的那只专注而忠诚的狗迪亚兹在画布的一部分上自由地涂上颜料，而在其他部分上则很少涂上颜料。他明显的笔触和对风景的关注让人想起了18世纪洛可可艺术家的先例，如Watteau和Fragonard。
介绍（英）	At the center of this landscape is a group of figures posed in a pyramidal arrangement borrowed from Renaissance prototypes of the Holy Family. The man, who serves as the highest point of this arrangement of figures, imitates representations of the biblical Joseph as he leans to his left and gazes at the seated woman from behind her shoulder. His attitude and simple nineteenth century peasant attire contrast to those of the woman and child, who are more elaborately dressed with soft yellow hair and contemplative, downcast gazes. The two female figures look to the attentive and loyal dog who sits in the leftmost foreground before a pool of water. Diaz applies paint liberally to parts of the canvas and sparingly to others, leaving the gessoed canvas showing through the painted surface in the foreground. His visible brushwork and attention to the landscape recall eighteenth century precedents by Rococo artists such as Watteau and Fragonard.