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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)最后的晚餐
品名(英)The Last Supper
入馆年号1975年,1975.1.7
策展部门罗伯特·雷曼典藏系列Robert Lehman Collection
创作者Ugolino da Siena (Ugolino di Nerio)【1317 至 1349】【意大利人】
创作年份公元 1322 - 公元 1333
创作地区
分类绘画(Paintings)
尺寸整体, with engaged (modern) frame, 15 x 22 1/4 英寸 (38.1 x 56.5 厘米); painted surface 13 1/2 x 20 3/4 英寸 (34.3 x 52.7 厘米)
介绍(中)乌戈利诺·达·锡耶纳是十四世纪最伟大的锡耶纳画家杜西奥·迪·布奥尼塞格纳最有独创性和成就的追随者。乌戈利诺最重要的任务之一是为佛罗伦萨方济各会教堂Santa Croce的高祭坛绘制多幅祭坛画。这幅《最后的晚餐》构成了现在被肢解的祭坛画的predella(最下面的水平部分)的一部分。祭坛画的原貌可以通过一幅18世纪的绘画进行重建,这表明"最后的晚餐"面板是七块predella面板中最左边的一块。祭坛画的中央面板描绘了圣母玛利亚和圣子,现在已经不见了。乌戈利诺的大型工作室包括他的父亲和两个兄弟,他们也是画家。乌戈利诺的出发点是杜西奥在锡耶纳大教堂的"Maestà"祭坛画中演绎了同样的场景,但他按照与同样在圣克罗齐工作的乔托的作品相似的方式重新组织了构图。杜西奥的一名学生受雇为佛罗伦萨一座主要教堂提供祭坛画,这证明了这位锡耶纳大师的作品的名气。在这一幕中,最左边的基督告诉他的门徒,他们中的一个会背叛他,这是犹大实现的预言,他在基督右边没有光环。乌戈利诺对空间透视的探索在格子天花板和桌子设置等细节中表现得很明显

这个小组和其他六个小组——《基督被捕》(伦敦国家美术馆)、《Flagellation》(Gemäldegalerie,SMPK,柏林)、《通往加略山和沉积之路》(均为伦敦国家美术院)、《Entomment》(Gemäldegarerie,SMP K,柏林。圣约翰浸信会、保罗和彼得(均为Gemäldegalerie、SMPK、Berlin)来自主登记册;圣詹姆斯大帝和菲利普,圣马修和小詹姆斯,圣马蒂亚斯和克莱尔(均为Gemäldegalerie,SMPK,柏林),圣西蒙和撒迪厄斯,圣巴塞洛缪和安德鲁(均为伦敦国家美术馆)均来自中上层。
介绍(英)Ugolino da Siena was the most original and accomplished follower of Duccio di Buoninsegna, the greatest Sienese painter of the fourteenth century. Among Ugolino's most important commissions was the multi-panel altarpiece for the high altar of Santa Croce, the Franciscan church in Florence. This painting of the Last Supper formed part of the predella (the lowermost horizontal component) of the now dismembered altarpiece. A reconstruction of the altarpiece's original appearance is possible through an 18th-century drawing, which indicates that the "Last Supper" panel was the left-most of seven predella panels. The altarpiece's central panel, which depicted the Madonna and Child, is now lost. Ugolino's large workshop included his father and two of his brothers, who were also painters. Ugolino's point of departure was Duccio's rendition of the same scene in the "Maestà" altarpiece for Siena cathedral, but he has reorganized the composition along lines similar to the work of Giotto, who also worked in Santa Croce. That a pupil of Duccio was hired to provide an altarpiece for a major Florentine church attests to the fame of the Sienese master's work. In this scene, Christ, at the far left, informs his disciples that one of them will betray him, a prophecy fulfilled by Judas, who appears without a halo at Christ’s right. Ugolino’s exploration of spatial perspective is evident in details such as the coffered ceiling and the table settings.

This panel and six others—Arrest of Christ (National Gallery, London), Flagellation (Gemäldegalerie, SMPK, Berlin), Way to Calvary and Deposition (both National Gallery, London), Entombment (Gemäldegalerie, SMPK, Berlin), and Resurrection (National Gallery, London)—comprised the predella of the altarpiece on the high altar of the church of Santa Croce, Florence. Saints John the Baptist, Paul, and Peter (all Gemäldegalerie, SMPK, Berlin) are from the main register; Saints James the Greater and Philip, Saints Matthew and James the Lesser, and Saints Matthias and Clare (all Gemäldegalerie, SMPK, Berlin), Saints Simon and Thaddeus and Saints Bartholomew and Andrew (both National Gallery, London) are from the intermediate upper register.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。