圣母的Betrothal - 美国大都会艺术博物馆展品查阅

品名（中）	圣母的Betrothal
品名（英）	The Betrothal of the Virgin
入馆年号	1975年，1975.1.514
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Giovanni Domenico Tiepolo【1727 至 1804】【意大利人】
创作年份	公元 1767 - 公元 1773
创作地区
分类	图画（Drawings）
尺寸	19 x 15 3/16 英寸 (48.3 x 38.6 厘米)
介绍（中）	多梅尼科·提埃波罗是十八世纪才华横溢、成就卓著的威尼斯画家詹巴蒂斯塔·提埃波罗的长子，他一生中的大部分时间都是父亲的工作室助理。作为大礼仪的杰出画家，詹巴蒂斯塔·提埃波罗创作了壁画周期和雄心勃勃的画布，装饰了意大利、德国和西班牙的威尼斯教堂和宫殿。1770年父亲在西班牙去世后，多梅尼科回到家乡威尼斯继承父亲的衣钵。 "圣母订婚"来自一个广泛的神圣主题循环，编号约为 250 页。尽管这些高度完成的纸张的功能仍然难以捉摸，但它们都具有相同的垂直格式、分级的色调洗涤范围和丰富的图形特征。马利亚和约瑟的故事，以及约瑟的杖开花以区别于她的其他追求者的故事，在正典福音书中找不到，可能来自多梅尼科时代艺术家熟悉的零碎虚构福音书。罗伯特·雷曼（Robert Lehman）是多梅尼科·蒂埃波罗（Domenico Tiepolo）绘画的热情收藏家，积累了有史以来最大的私人收藏之一。
介绍（英）	The elder son of the gifted and accomplished eighteenth century Venetian painter Giambattista Tiepolo, Domenico Tiepolo spent much of his life as workshop assistant to his father. The preeminent painter of the Grand Manner, Giambattista Tiepolo produced fresco cycles and ambitious canvases that decorated the Venetian churches and palaces of Italy, Germany, and Spain. Following his father's death in Spain in 1770, Domenico returned to his native Venice to inherit his father's mantle. The "Betrothal of the Virgin" is from an extensive cycle of sacred subjects, numbering some 250 sheets. Although the function of these highly finished sheets remains elusive, they all share the same vertical format, graded range of tonal washes, and rich pictorial character. The story of Mary and Joseph, and of the flowering of Joseph's rod to distinguish him from her other suitors, is not found in the canonical gospels, and may derive from fragmentary apocryphal gospels familiar to artists in Domenico's day. Robert Lehman was an enthusiastic collector of drawings by Domenico Tiepolo, amassing one of the largest collections ever assembled in private hands.