在马戏团（At the Circus:The Spanish Walk） - 美国大都会艺术博物馆展品查阅

品名（中）	在马戏团（At the Circus:The Spanish Walk）
品名（英）	At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)
入馆年号	1975年，1975.1.731
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Henri de Toulouse-Lautrec【1864 至 1901】【法国人】
创作年份	公元 1899
创作地区
分类	图画（Drawings）
尺寸	13 3/4 x 9 13/16 英寸 (35 x 25 厘米)
介绍（中）	城市娱乐大师亨利·德·图卢兹·劳特雷克在19世纪80年代末和19世纪90年代创作了许多以马戏团为主题的绘画作品，与此同时，他作为一名商业艺术家的人气飙升。巴黎歌剧院举办了各种各样的专业马戏团，劳特雷克经常光顾。他个人被马戏团的表演者所吸引，这些五颜六色的马术运动员、驯兽师、小丑和杂技演员都处于社会的"边缘"。1899年，在巴黎郊区的一家疗养院接受酗酒治疗时，劳特雷克创作了一组雄心勃勃的马戏团人物蜡笔/粉笔画。这些富有想象力的草图完全是根据记忆绘制的，没有经过初步研究。雷曼马和骑手表演"pas espagnol"，这是维也纳西班牙骑术学校正式规定的缓慢步态。正是由于这些马戏团的绘画，Lautrec才得以从疗养院获释——他们令人印象深刻的处理让医生们相信他的健康状况正在改善。当Lautrec离开诊所时，据说他说："我用我的画买了我的释放。"
介绍（英）	The grand master of urban entertainments, Henri de Toulouse-Lautrec made many paintings and drawings on the circus theme in the late 1880s and 1890s, just as his popularity as a commercial artist soared. Fin-de-siècle Paris hosted an assortment of professional circuses, and Lautrec frequented them all. He was personally drawn to circus performers-those colorful equestrians, animal trainers, clowns and acrobats on society's "fringes." It was while undergoing treatment for alcoholism at a sanitarium on the outskirts of Paris in 1899 that Lautrec produced an ambitious group of crayon/chalk drawings of circus figures. These imaginative sketches were drawn entirely from memory, without recourse to preliminary studies. The Lehman horse and rider perform the "pas espagnol", the ambling gait formalized by the Spanish Riding School of Vienna. It was thanks to these circus drawings that Lautrec earned his release from the sanitarium-their impressive handling convinced doctors of his improving health. As Lautrec left the clinic, he is said to have remarked, "I've bought my release with my drawings."